August Moon: day 1

Set an intention

Starting at the beginning, and in the middle, and at the end. Spiralling around and around, soothing the hurts and remembering the dreams of the me-that-was, looking ahead, asking advice of the me-who-will-be, who already knows how to do everything I want to. And, more than anything, being here, now.

As luck would have it, I’ve just got to the end of The Artist’s Way and (is this a normal reaction?) been sorely tempted to go straight back to the beginning and work through all the exercises I missed the first time round. I’m going to lay off that for the duration of this fortnight, though, and concentrate on August Moon.

I walked out just now to look at the moon rising over across the river, huge and low and buttery-yellow. I had thought I might not be able to; we have had so much rain today, and great dark clouds to race against. But the rain had stopped and the clouds cleared, and, although the river was high, it was no longer lapping at the grass, and the wind had fallen to a breeze. And the moon was worth looking at.

Here are the four and a half things I am working on at the moment:

– my novel (!) Speak Its Name is, after seven years, as finished as I can get it, and currently out knocking at agents’ doors. Admitting to its existence in so many words, in public, is a new adventure as of this very minute. This is the project I’ve been referring to for ages by oblique references to mermaids. I will probably continue to do this. My intention is to keep faith in this thing, in my work and in the world’s need for it; to refine and direct it so that it breaks the surface and gets out there. Relatedly, poetry. To keep writing and posting it.

– something rather unexpected that’s developed over the past couple of months is a renewed interest in beading and general jewellery making. I’ve signed up for a silversmithing course, beginning in late September, and am considering how I can get this hobby to become self-sustaining. I don’t want this to become a career or an obligation, but I am making more things than I can wear, and spending more money than I can afford (so say the monsters), and I am fairly sure there are people out there who would wear beads depicting clusters of galaxies in polymer clay. This is Operation Silver Ship Strelsau, and my intention is to come up with an actual plan for launching it, however many sails it turns out to have.

– piano lessons! I’ve been promising myself piano lessons since before we moved house. The piano has now been tuned, and I have the contact details for a piano teacher. I need to send an email. My intention here is to remember that I don’t have to be good at everything immediately – which I fear I’ll need to.

– Operation Parisienne en ligne. Long story. My father has a bus – well, three buses. The buses need a website. I have no mechanical skill, but I can write, and my partner is happy to help me get this online. Intention: get this put together and public.

– Operation Another New Opportunity – which is a half-thing, really, as I’ve no control over whether the opportunity opens or not, only whether I jump into it if it does. This is my day job, and the feeling that I have now done absolutely everything that is open to me at my current grade. My intention is to jump, if it opens.

My intention with regard to all of these is perhaps best summed up in the phrase ‘forward! in all directions!’ I do not expect to get everything done in two weeks, particularly since I’ll be on holiday for one of them. However, I do wish to get my head into the space where they seem like things that I will do. Wish me luck!

The Advance Party

We woke to the sound of nothing,
the lack of that forty-day thrum:
the rain had stopped, wind stilled; we rocked
so gently in our coffin-cradle
you might have thought
our parent slept.

I threw the hatch back; saw a square
of clear grey sky; smelt damp air
– and, frightened, shut it out,
needing (I said) to think.
It was warm inside.
Safe there, enclosed in darkness,
accustomed to the swaying floor,
the solid walls and roof,
I’d chosen to forget we had
to touch the ground again.

That night we feasted, sang,
laughed and gave thanks,
snug in our floating box. I crept away,
up to the deck where the birds roosted.
Most slept, but one raven, dark
in the dark shadows, blinked at me
with gold-rimmed eye. I chose her.
Tough claws gripping my fingers, we climbed
up, up to the hatch and that
empty square of sky.

She knew better than I did;
she flew before I was ready
to let her go.
My hand was light without her.
I watched the sky as long as I could bear it;
then, dizzy, I shut the hatch again,
and tried to forget her.

On how life is not like books

It is not given to most of us to know
the instant’s fiery trial, the two-forked path
from which, once chosen, we cannot turn back.
Life is too messy-incomplete for that,
crammed with uncertainty and second chances.
Integrity comes piecemeal, a dripped succession
of tiny moments where, grudging, agonised,
we choose to act for good,
from love or shame, some half-built value,
a memory, the decent thing. It all adds up.
Then we look back, perhaps, and find
we made the hardest choice by hardly choosing,
and grace is granted us to laugh,
wiser, grateful, and walk on, nearer, now,
the people we were born to be.

Valediction for May

Hush. The dawn is breaking on the hills.
The air is chill. My love is calling:
Awake. Arise. Come with me. Time to go.
It is time to go, and you must leave
with the daisies closed against the dew,
with the young green shoots piercing the earth,
the pigeons burbling and blackbird’s song,
and the candles on the chestnut trees
to light you on your way.

You dug the ground; you sowed the seed,
watered the shoot, and saw
the growth all but imperceptible:
a bud, a leaf – furled – opening – open –
Come away.
Leave the fruit. It is not yours to pick.

Follow me now beyond the garden.
Come and see.
I have a lovely place to show you.
Though here the flowers bloom and fruit trees
scatter blossom,
walk this path with me:
come away.

April Moon: Day 14

Yes, I know it’s May. Shh.

Comfort

What feelings does this word evoke? What sorts of memories does it recall? Which of your senses start to tingle? How would you represent what this word means to you?

Having spent Lent getting my head around Paul, comfort is throwing me into John and the farewell discourses. Tallis, of course: if ye love me, keep my commandments, and I will give you another comforter, that he may bide with you for ever; even the sprit of truth. Comforter is the word that is translated elsewhere as advocate. And I remember being told that comfort in this sense is more like encourage.

And, thinking about that, I begin to see comfort as a spectrum. There is, of course, the duvet-and-blanket, warm-heavy-cat-on-the-knee comfort: an encouragement to relax, to sleep, to let go of things. Then, in Romeo and Juliet, when Romeo has killed Tybalt and Juliet has no idea what to do next, she asks for some comfort, Nurse. And then the dancing, flaming wind of the Spirit, distinctly uncomfortable, you would think. And yet.

Comfort is the thing that pushes or pulls me towards whatever it is I need to do next. Very often resting is exactly what I need to do next. I remember last year, when circumstances had me staying nearly a month with my housemates’ parents, and how warm and comfortable and supporting was that spare bed of theirs, and how white the sheets, and how that month of being looked after was exactly what I needed then.

And what I need now? Well, my bedroom is dusted and vacuumed. My possessions are piled on the bed, waiting for a rucksack to put them in. I move on tomorrow, and it is time and past time. Comfort is only comfort for so long; one’s foot goes to sleep after a while.

April Moon: Day 13

Curious

What feelings does this word evoke? What sorts of memories does it recall? Which of your senses start to tingle? How would you represent what this word means to you?

This word forks, and at first I am more drawn to the more active sense. One can be curious about a thing that is curious. I am immediately reminded of Alex in Leeds, who has a tattoo that reads Curiosity > Enthusiasm > Action – a fantastic motto. Curiosity gets a bad press – it famously killed the cat, and ‘satiable curtiosity is the reason for the trunk on the Elephant’s Child. This seems unfair. To know things for the sheer pleasure of knowing, not out of malice, but because there is a space in one’s mind where a fact ought to go, that seems very wholesome to me.

In fact, this seems to be a very literary word. Down the other fork, where it is things that are curious, there is the Old Curiosity Shop (I have never read it) and Alice again. Curiouser and curiouser. Oddness, interestingness, something-not-quite-right-about-thisness. Something that is curious makes one curious even if one isn’t naturally curious.

Are curious people curious? They are usually good fun to talk to; they don’t mind admitting what they don’t know, and they share what they do.

Curious.

April Moon: Day 12

Flow

What feelings does this word evoke? What sorts of memories does it recall? Which of your senses start to tingle? How would you represent what this word means to you?

Rivers. Idyllic Revelation rivers, the sort that are metaphors for grace and love. Water flowing from the city. Mostly hymns, actually. Flow, river, flow, flood the land with the Father’s glory…where golden fields spread far and broad/where flows the crystal river.

Which reminds me of a mondegreen in another hymn: through gates of pearl streams in the countless host. I always took streams to be a noun, and pearl to describe the streams rather than the gates. I was probably extrapolating from ocean’s farthest coast in the previous line. Even now, there is a sense of clear light and clear water, in this and in all the new-heaven-and-new-earth hymns that I love. Flow is, somehow, part of that.

Flow is first cousin to current, which is a lovely fizzy word, but more scary and unpredictable. Flow feels steady; not necessarily strong or overwhelming, but reliably going that way. Flow belongs at the mature stage of a river, out towards the floodplain (oh, I remember building dams at the beach; there was an outlet of water from a bird park a little way inland, and we used to divert the flow and dig long trenches out towards the sea). Flow is calm progress.

April Moon: Day 11

Reflection

What feelings does this word evoke? What sorts of memories does it recall? Which of your senses start to tingle? How would you represent what this word means to you?

Mirrors. Oh, I spent a long time thinking about mirrors. I came across an early proposal for the mermaid project the other day; it included a list of all sorts of things that contain mirrors. Kaleidoscopes (have you ever come across the sort that have glitter and beads and sequins suspended in a tube of some sort of clear viscous liquid? They drift from one end to the other and when they are reflected in the mirror the effect is one of such opulence that one might be in a jewel casket). Periscopes. Pepper’s Ghost.

Blue skies in still puddles. A streak of moonlight on the sea. The moon itself. And Alice.

Now we see in a glass darkly. Now we see only puzzling reflections in a mirror… There are various metaphors in the New Testament; that’s one of the best of them, I think.

I’m aware that this is only the surface of the concept, with no more substance than a reflection. That feels appropriate. I can see myself, double-reflected in the double-glazing of the patio doors. You won’t find even one of me behind them, and if you reach out to touch the reflection all you meet is cold, clear, glass.

April Moon: Day 10

Secret

What feelings does this word evoke? What sorts of memories does it recall? Which of your senses start to tingle? How would you represent what this word means to you?

See also: sacred.

I know two sorts of secrets: the ones that can’t be let out because they’re too sad and scary; and the ones that aren’t yet grown up enough to go out on their own, but which are going to be beautiful and joyful.

I let go of most of my secrets. Some of them weren’t even mine; I was carrying them around because I thought I had to. I handed the worst one back. Some of them stopped being true. Some of them I told, and they turned out to have never been true – particularly the one that went nobody must know what a social failure and weirdo I am.

I have one secret left. It is the good and joyful sort, and it’s not really a secret, because there are some people who know what it really is. For everyone else: I’m organising a cultural exchange programme for mermaids. It has been tremendous fun and incredibly hard work. Sometimes the mermaids have co-operated; sometimes they have hidden behind rocks and sulked for weeks on end. I have come to understand how different breathing air is from breathing water. Very often I worry that whether the host families on the surface won’t appreciate my efforts at all. At the moment I am trying to find the password that will let the mermaids move from sea to air. That’s a secret. I’m going to find it, though.