August Moon day 1: scared of the dark

We begin our journey in the darkness. I am feeling… apprehensive.

There is so much out there that I don’t know. Standing here with one foot on the threshold, about to step out into the unknown, I can’t even begin to imagine what’s coming. The person who will experience the adventures of a month, a year, a decade hence, knows more than I do, has dimensions of wisdom that are far beyond me.

It’s a luminous, velvety, exciting darkness, full of unknown unknowns, and there’s nothing you can do to stop it coming, so you might as well meet it with curiosity and the intention to enjoy it.

I only realised the other day that I have been stopping myself wanting things for most of my life, declining to express preferences out of politeness or fear or goodness knows what. Setting out on my fourth decade with permission to make choices based on what I actually want… now there’s an adventure. I’m still in the dark as to what I want.

And then there’s the actual, literal, darkness. It’s out there already. I had to turn my bike lights on this morning. It’s been a wet, grey, day, and it’s a dark, dank evening. No moon, and no chance of seeing it even if there were one. Autumn is here already, I think.

I am one of those apparently rare people who prefers Greenwich Mean Time to British Summer Time. My mood is so tied to the sunlight that when the mornings become dark I find the arguments for getting out of bed less and less convincing. As the nights lengthen I look forward to that magical Sunday when the clocks go back and the morning is suddenly light again. It doesn’t last long – a fortnight, perhaps, before the darkness crawls back in – but it’s enough; it keeps me hanging on until the solstice, when I can tell myself that things are going to get better.

There’s a petition going around Facebook at the moment asking for permanent British Summer Time. It’s a genuinely terrifying prospect. I would lose the whole winter.

I am scared of the dark. I am scared of the dark that’s coming. The dark that’s already here is less intimidating, but more awesome.

Sleeping Beauty

When I woke again, it was high summer,
the trees in full green leaf, green
on the altars, and you,
beside me, smiling, diffident,
having stopped by
to see if
you might be of assistance.
I loved all that I saw in that waking
and you, being then in the foreground,
could not help but be loved. Love springs
from the heart unasked-for, clings
to the one who stands ready
to bear it. You and I
(when I’ve become more than the end
of a quest, and you
have retreated somewhat, into perspective),
you and I will have learned
what to do with this unforeseen,
blazing, implacable love,
and then we’ll begin.

Once More in Paradise

Heaven, I sometimes think, must be
where I grew up – mid-August,
the raspberries run wild and ripe,
hens scratching in the yard,
the house dim and cool,
red tiles under bare feet;

where, all the long afternoon,
those whom I love and will love
arrive, sleepy, stretch out on the lawn,
washed in the sunlight after the long drive,

and, after, talk late round the kitchen table,
plates pushed aside,
with song and red wine and laughter,
the world set to rights.

Personal Ad for a Handbag

(Or two handbags. One in black; one in brown or blue. You could be the same design in different colours, or you could be different designs, both of which match my specifications.)

You have a decent square or oblong base, and you are sufficiently bottom-heavy that you don’t tip over when I put you down.

You will fit into my bicycle basket without having to be put on end or tilted.

You have two handles, long enough for you to be carried comfortably over my shoulder, but not so long that you drag on the ground when I carry you in the hand.

You can be closed completely, but you are deep enough that stuff doesn’t fall out of you if you aren’t.

You can carry a large paperback book and my Filofax simultaneously, or a pair of size seven ballerina flats. You have a pocket for my purse, phone and keys, and another one for my work pass and travelcard.

You don’t have tassels. You don’t have writing on. You don’t have an ostentatious logo.

Any metal trim is silver coloured, not gilt, and there isn’t much of it.

I buy you in a shop. I don’t buy you online, and nobody else buys you for me.

You are made of leather. I want you to last.

Thoughts from the end of twenty-nine

I think I’m a bit scared of entering my thirties.

Thinking back to myself at nineteen, staring twenty in the face, and how much I’ve done and how far I’ve come since then… I think I’m scared by the prospect of the next ten years, knowing that I won’t recognise myself at the end of it. No, that’s not quite what I mean, but knowing that by the time I get to forty I will have grown and changed in ways that I cannot imagine from where I am now, at twenty-nine.

I remember myself aged goodness knows how old, say ten, thinking I’d never go to university, because at that point I couldn’t imagine having the intellectual capacity to cope with university. I hadn’t learned that knowledge and wisdom accrue day by day, that by the time you actually get to wherever it is you have all the resources you need to be there.

I grew between ten and twenty, I’ve grown between twenty and thirty. I’ve discovered whole new dimensions in which to grow. The same thing will surely happen between thirty and forty, and it makes sense that it will happen in ways that I can’t see from where I am now, and it makes sense that I would be a little bit scared of that.

This, I think, is why people get so irritated about people who are younger than they are stressing about their next big birthday. There are lots of people who have got to forty who know that their thirties were brilliant and amazing, and they have forgotten that they didn’t know that at the time.

More on Cambridge

In the latest round of the never-ending quest to sort my head out, I have been going through old diaries, and I found this, from about eighteen months ago:

Cambridge is cold and windy, and beautiful in the winter light, and a little bit aloof.

That was when I was living in Guildford and going up to Cambridge once or twice a month to see Tony, and wondering whether I would ever actually be able to live there. I found the city terribly intimidating: it’s so old, and so full of terrifyingly clever people. In all fairness, I was intimidated by Guildford when I first moved there: so full of terrifyingly rich people.

I’ve been in Cambridge a year now, and we are beginning to become acquainted. There are some parts – my cycle ride to and from the station; the section of the Cam from the Green Dragon in Chesterton up to Baits Bite Lock – that I pass through daily or weekly. I can find my way around the city centre without a map now. I’ve been doing lots of walking – I always explore a new place on foot, if I can. But there’s still an awful lot that I haven’t discovered. There’s probably a lot that I’ll never discover.

One of the loveliest things has been discovering Cambridge with other people. One of them has known Cambridge longer than I’ve been alive, and dragged me off to Fitzbillies for the best Chelsea bun in the world. One grew up in Cambridge – and gave me a long list of pleasant places to eat and wander in. One had never visited before – and we downloaded a walk from the internet and found all the colleges. My father came to stay and went for a drink in the Mitre – where, he casually mentioned, his grandfather had almost certainly drunk before him. That made it better.

I like Cambridge. I like the cherry blossom and the pale yellow stone and the rowers. I like the way that everybody cycles and how ridiculously easy it is to get to London. I like the college arms that line the staircase in Boots. I like the Te Deum windows in Great St Mary’s. I like the Renoirs in the Fitzwilliam and the Chelsea buns in Fitzbillies. I like the charity shops on Burleigh Street.

There are probably all sorts of other things I like, but I haven’t got round to them yet. No matter. There’s plenty of time.

Ascension Day, 2015

Dog-eared in my handbag, polling card
and service sheet lie face to face.
God is gone up. And what a mess
He’s left behind Him. Did He take
all of the world’s compassion, all its love
to shine with ineffectual gleam up there
and leave these few, these twelve-take-one, alone
tiny before this tide of hate and fear
surging around them? Come love, come Lord.
Show us your kingdom come
on earth, as you are
in heaven. Come, Holy Spirit. Come.

Unexpected Cambridge

I’ve been living in Cambridge for just on a year now. Here are some things I’ve discovered:

1. The wind. People do tell you about the wind, to be fair; it’s just that one can’t comprehend the sheer sideways chilling force of it until one’s been there. ‘Cambridge winds are lazy,’ says my friend Helen. ‘They can’t be bothered going around you. They just go through you.’ I understand that this has been a relatively mild winter; nonetheless, I got caught out last week and had to wait half an hour on the platform at Cambridge station without gloves. Following liberal daily applications of hand cream, my skin is just about returning to normal.

2. You start caring about the Boat Race. This was not a good year to start caring about the Boat Race. Thank goodness for University Challenge, that’s all I can say.

3. You forget all about hills. Hills? What are they again?

4. You get very good at dodging bicycles, tourists with selfie sticks, and people trying to sell you punt trips.

5. You begin to believe that every conceivable object can be transported on a bicycle. Not just the obvious things like kegs of beer or small children. I myself have brought home on the back or the front of my bike a) an orchid in a pot; b) a daylight lamp; c) a herb planter. And I know someone who used to carry a folding bike on his cargo bike, so that he could meet his partner at the station and they could cycle back together. Now that’s love.

Expanding the Comfort Zone

I’ve been thinking a lot recently about the idea of expanding one’s comfort zone from within, as opposed to stepping out of it (useful posts here from Havi Brooks and Jem Bloomfield), in the context of singing – purely because I spend a lot of my spare time doing it.

I estimated a couple of months ago that I’ve averaged two hours of choral singing a week over the past decade. There have, of course, been lighter patches (2007, of which I spent a third in Spain and Germany not singing much at all, and my second and third years at university, when I decided that the need of the serving team was greater than the need of the chapel choir), but they are balanced out by the five years I spent in the choir at Holy Trinity, Guildford. During term time we did two services every Sunday, with a half hour or forty-five minute rehearsal before each one, and an hour’s practice every Thursday. As a result I know a lot of the standard church music repertoire inside out and back to front: if we assume that each piece was sung twice a year, once during a morning service and once at an evensong, then I’ve performed most of them ten times.

I was not at all confident when I joined. All my life I’ve been close to people who have more singing experience than I do and, while they have been nothing but supportive, I’ve always been able to see that their sightreading was better than mine, that they were more confident than I was, that they could hold a line against all comers and I couldn’t. Fortunately, when I joined Holy Trinity, there were plenty of other altos to follow.

I’ve joined two new choirs over the past year, and I’m still singing less than I was at Holy Trinity. They have both proved the expansion of my comfort zone, in very different ways.

The first one was one of the several choirs that run out of my parish church. The workload is considerably less: we sing one, maybe two, services every month, with an hour’s rehearsal beforehand, and a rehearsal on the preceding Friday. This is very much flying by the seat of the pants: a lot of sightreading, and no guarantee that there’ll be anyone else on your part to prop you up.

And that doesn’t scare me any more. Once upon a time I would have been too terrified even to consider joining this choir, but my comfort zone has expanded to encompass this method too.

Granted, some of this is stuff I already know from Holy Trinity. On Easter Sunday I was the only alto at evensong. That was fine: we did Blessed be the God and Father, which I have sung every Easter since 2008. On the other hand, I was the only alto at the previous evensong, and I was sightreading an anthem… I can’t remember what it was, only that I’d never seen it before in my life, and that the alto line contained several top Gs. The very first piece that I did with the new choir was Herbert Howells’ Requiem; that, thank goodness, had rather more rehearsal time dedicated to it.

The other choir is pretty much the complete opposite. In this choir, ten weeks to learn three pieces is presented as a frighteningly tight timescale. This is the workplace choir, set up by the social club and the excellent Workplace Choir Company. Its basic assumption is that nobody has sung anything since they were at school, when they were probably told by a teacher that they couldn’t. This seemed to be about right at my workplace. There was a question early on: who was in a choir already? I was one of perhaps three people who raised their hands. Three out of sixty, and the only one in the first altos.

There was the solo. (But I’ve done solos before, in front of people who would know exactly where I’d gone wrong.) There was the fact that I was doing the solo with a microphone. (That was new territory.) There was the responsibility. At one point the Director of the Executive Office told me, ‘You’re our leader’. I’m not even sure that she was joking. (I have never before in my life been the most experienced member of a large choir.) There was the assuring of everybody that everything was going to be fine.

And somehow I was able to meet it all with a general attitude of ‘Bring it on!’ Solo? Bring it on! Microphone? Bring it on! Teaching a tricky snippet to the rest of my section without reference to a piano? Bring it on! It’s being filmed? Wait, what? Er, bring it on! Thank you, comfort zone, expanding yourself while I wasn’t even looking.

I managed to appear calm through the performance, although it wasn’t until last week, when the high-quality video was made available, that I was able to see whether or not I’d cocked it up. I never know how a solo has gone after the event. I’d like to think that’s because I’m so absorbed in the music that I’ve no space left in my head to remember it, but it’s happened before when I’ve lost a bar in the middle of it.

Anyway, it turns out it wasn’t too bad, all things considered. Here’s the result. I’m the tallest soloist, in the green shirt, singing the alto part in the second verse. Me and my expanded comfort zone.