Lost and found

Two books, 'Field Guide to the Birds of Britain and Ireland', 'Floral Patterns of India', and a white ceramic coaster with a gold letter K, on a padded envelope with 'KAFJ BIRTHDAY 26 JUL 21' written on it in red ballpoint pen

Every time I spoke to Pa over the last few months of his life, he said to me, ‘I still haven’t found your birthday present’. Found, that is, in the room that he used as half study, half bedroom, half model railway layout, and indeed, good luck finding anything in there. He’d given me a hideous charity shop coaster as a sort of joke present on the day itself, but my actual present was lost.

I assumed we’d never find it. Or, rather, I assumed we’d find it and we wouldn’t know. That it would be loose among his own things, indistinguishable from them.

But there it was: a padded envelope, with my initials and the date of my birthday. I cried a bit. Inside: a book of birds, and a book of stickers. Yes. Something I’d like, but something that might have been his own.

We found all sorts of things. There was another envelope, a much older one. Inside was a scarf. The writing on the envelope told us that the scarf was made by my great-grandmother for my grandfather, and it was in remarkably good condition one hundred and twenty years later. Other things were not so well documented. In the same box as the scarf we found several lovely early twentieth century Christmas cards, with no clue as to who sent them, or to whom. Somebody must have kept them for some reason, but I shouldn’t think we’ll ever know now.

We fill our homes with things – because we like them, because somebody important gave them to us, because we don’t get round to getting rid of them. We know what the reasons are; the people who come after us probably won’t, unless we tell them. I can see myself hanging onto that padded envelope; if so, I can see my children, if I have any, chucking it. And we will both be right.

Every item in a house is there for a reason. Some of those reasons are not particularly good ones.

‘Every word on that page is there for a reason,’ my A-level English teacher told me. It was quite possibly the most significant thing I learned at school. Every word represents a choice. Saying it this way, not any of the other ways one might have said it. Keeping it there when you come to reread. Deciding that it needed to be said in the first place.

Pa was an expansive, digressive, eclectic writer. He wrote about all sorts of things, though the nominal subject was usually mass transit. Most of his readers were quite happy to come along for the ride. And I think that his reason for most of the words, like most of the items, was, quite simply, that he liked them.

Here’s something that’s in my house for a reason, a birthday present I most definitely knew about. This was what Pa made me for my fifth birthday. It says so on the back.

A large wooden dolls' house in a cluttered room

Robert E. Jowitt, 1942-2022

A man in a green cap and jacket leans o the radiator of a 1930s bus with a protruding nose and boxy cab

My father died sometime in the night of 7-8 January, about as peacefully as it’s possible to do it, and I still don’t quite know what to say.

Not because there’s nothing to say: everybody I hear from who knew him has something lovely to say, some delightful memory to share. Not because there’s nothing to talk about: there are 79 years to talk about, and I was around for slightly less than half of that.

It’s such a cliché to begin by saying that one doesn’t know where to start that I almost don’t want to admit it, but in this case it’s true. My own tactic to deal with that very real dilemma is to start with whatever first comes to mind, and to worry about reordering it later.

So, in that spirit, here are some things that I want to say about my Pa.

  • He always was Pa, not Dad or anything else.
  • We lived in more or less the same wordscape, sharing hymns and trashy Victorian songs and Shakespeare and quasi-mythological family anecdotes and using quotations as shorthand.
  • I wouldn’t be writing something set in modern-day Ruritania now if he hadn’t read me The Prisoner of Zenda when I was nine or ten.
  • I’m sure that many people who come across this post will be looking for Robert E. Jowitt the transport author and photographer, and that was indeed very much part of who he was. Both his writing and his photography were as eclectic and idiosyncratic as his reading matter. He liked digressions and very long sentences and quotations.
  • If you’d told him that real men don’t read Jilly Cooper he’d have laughed at you.
  • There is still a card on the fridge with a list of the OS maps that he was missing from his collection and which I might have wanted to give him for his birthday.
  • He had a strong sense of whimsy and, I suppose, sentimentality.
  • He was, above all, interested in people. He would quite often ask me about friends of mine who he’d met perhaps twice, five years ago. He could make friends with pretty much anybody. He annoyed transport photography purists by taking pictures with a nun obscuring the numberplate, or a tramp in front of a tram, a shopper or a copper in the way of a tree-lopper. He liked to show public transport in, well, public, putting it in the context of the public it was built to serve and the landscape across which it transported it.
  • He claimed not to be terribly interested in buses, though he would take them in the absence of trams, trolleybuses, or steam locomotives. The one exception was Paris buses, the open-platformed 1930s Renaults. He photographed his first one in 1960 and brought it home in 1970. It’s still running.
  • He gathered the most extraordinary group of people around the buses, a sort of found family before anybody called it that. Bus people, art people, music people, all sorts of people.
  • He never did anything he didn’t want to do.
  • He couldn’t sing but he didn’t let that stop him.
  • He really was impossible to live with.
  • He was interested in birds and ships and architecture and bel canto opera and all sorts of things.
  • He was immensely proud of his children and of our achievements, though if he found something where there was room for improvement we’d hear about it.
  • He was an entertaining raconteur. I can’t tell the stories half so well.
  • The last time we saw each other face to face we talked about We Didn’t Mean To Go To Sea and teamed up in a family game of Settlers of Catan. The last time we spoke on the phone he thanked me for his Christmas present – the 2022 calendar from A Cambridge Diary – and told me that his favourite picture in it was the housemartins.

Is that everything? No, not at all. I could go on and on and on. But it is something. There’s a big gap in many people’s lives now.

Edited to add: the funeral will take place on Wednesday, 2 February – please see the funeral director’s site for details of how to watch online.

Daily Decoration: the magi

Playmobil figures representing the three kings plus camel surveying a scene dominated by a cardboard shoebox

So here we are. I feel more kinship with the Magi than with anybody else in the nativity set: you spend a long, long time getting anywhere, and you go to the wrong place, and then you finally get there and you’re only just in time, everyone else has packed up and gone home, and you get maybe a day before you get put back in your box and put away. And then you do the whole thing again next year. (I wrote a poem about that a few years ago.)

I was thinking this evening about the gifts that the Magi bring: the gold, frankincense, and myrrh. In the primary school nativity plays I participated in they were represented by cardboard boxes covered in shiny paper. It doesn’t go very far in conveying the weight and gleam of gold, the heavy scent of myrrh or frankincense; it doesn’t do much more than the plastic containers the Playmobil figures are carrying.

This Advent I – along with much of the rest of the Church of England, no doubt – read Music of Eternity, a curated and adapted collection of writing by Evelyn Underhill, the twentieth century mystic. I found it, by turns, thought-provoking, gently challenging, and really quite difficult, and at some point it managed to press some buttons which then stayed pressed all the way through Christmas. I’m not sure it was even the fault of the book; it just managed to convey to me the impression that there is a right way and there is a wrong way, and you, not doing it the right way, are doing it the wrong way. And that took me back to all the churches that have not been the right church for me, but which managed to convey me that I was doing it wrong. Whatever it was.

Evelyn Underhill talks a lot about being self-oblivious and, while I know in my head what she was getting at, me attempting to be self-oblivious summons a persona who really shouldn’t be running the show. (The key word here is, of course, attempting, but this was the kind of response that I observed myself having.) She ran it from when I was about fourteen up until my late twenties, and it was very tiring being her. She was always trying to fit in, she was always trying to be right. She was trying to please, she was trying to protect, but the only way she knew how to protect was to suppress (herself and others) and she did as much damaging suppressing as she would have done by leaving people unprotected. And she ran on weapons grade, grudging, effort. She was trying. She really was trying. She was very trying.

One of the most humbling and delightful discoveries of the last decade has been that God isn’t at all interested in her. God is interested in me. And other people have seen through her to me, and liked me. One of the things that I discovered when I stopped putting all my energy into being her was that other people also had trouble with not being XYZ enough, whatever XYZ was for them, and actually admitting to being human and having trouble with stuff was a far better way to make friends than whatever it was I’d been trying before.

The trouble is that when this persona gets hold of an idea like being self-oblivious as something that is desirable to be, and sees the current-me, who has a much better idea of who she is, well, there’s trouble. Because I can’t be doing with her yelling you’re doing it wrong!!!! at me all the time, I haven’t been doing much at all. And probably I should have a conversation with her and see if she wouldn’t rather be off-duty with a pile of comics and a glass of lemonade, because she shouldn’t have had to be on duty all those years, that wasn’t fair, but I’ve only just recognised her modus operandi.

Anyway, she quietened down this evening, maybe just because I went to church. Epiphany. We got there. Just in time. (Metaphorically, that is. Literally I had five minutes to spare.) And I thought about how tactile, how sensory, the gifts of the Magi were. How very material the Incarnation is. That, while I can conceive of a reality that is so real that compared to it flesh and blood is plastic and gold and myrrh are cardboard boxes, I can only get there through this reality. The way in for me is through who I am and through what is there.

Daily Decoration: bead star

Christmas tree decoration in the fomr of a five-point star made from clear bugles and seed beads and blue bicones

I bought this little star, and a few others like it, from a member of the regional women’s committee back in the day when I was looking after the regional women’s committee.

Working for a trade union, you meet all sorts of people. It’s one of the really interesting things about the job, and it’s been particularly good for me. If I am less stand-offish, shy, or socially awkward than I was a decade ago, a large part of that’s down to the people I’ve worked with and for, union staff and union members. (And a lot of the rest of it is down to my fellow weirdoes on the internet.)

I’d meant to write more, but I’m feeling woozy and achy after yesterday’s jab, and my thoughts are wandering all over the place. So this short and sweet post will have to do, together, of course, with a solid day’s work tomorrow. Side-effects permitting.

Daily Decoration: cumulative icicles

The top portion of a Christmas tree, hung with decorations made from beads threaded on wire and representing icicles

There’s nothing particularly special about these icicles. There are six of them. They always go around the top branches of the tree: their length fills in the gap and they pick up the lights and sparkle pleasingly. They’re made from plastic beads threaded on wire, and they were yet another charity shop find in the penniless Guildford days. The beginning of the collection, if you like. That’s rather appropriate, given the way real icicles form: a drop freezing, another drop running over it and freezing onto it, over and over until it’s an elegant spike. It’s rather appropriate given the way that these were obviously made: a bead after a bead after a bead.

2021 was very much a year to be got through one day at a time. While 2020 is, in my head, a timeless, expansive, almost gentle, stretch of enforced freedom, 2021 seemed to call for gritted teeth and the continual effort of putting one foot in front of the other in front of the other in front of the other…

Early on in the year, someone I follow on the internet mentioned that they were aiming to add one sentence to their work in progress every day. I liked the sound of this. As mentioned elsewhere, I have more than one work in progress, and I thought this seemed like a good way of keeping faith with all of them. It has been. I’ve written short stories, fanfic, an essay, one sentence at a time. I’ve written twenty-six thousand words of one novel. I can’t remember the starting wordcount on the other one, but I do know it’s longer than it was. One sentence, one sentence, one sentence. Maybe two if they seem to come as a pair. Maybe more. Even when I didn’t know what I was doing at all, there’s been something to add. A line of description. A line of dialogue. After a while the thing gathers enough momentum to unspool itself into whole paragraphs, chapters, and I can sit down with it for a couple of hours and finish it off. Or else it runs down again, and once again I add another sentence. Just one today. Just one more tomorrow. Open the document. Add a sentence. Save the document. Close the document.

I decided that I wanted to read more poetry. I have loads of poetry books but the imagined sunny afternoons with a glass of white wine and an hour to dip in didn’t materialise nearly often enough. I started to work my way along the bookcase. The next book along. One poem. Tomorrow, the book after that. Today, Amy Clampitt. Yesterday, Kate Spencer. Tomorrow, Omar Khayyam (translated by Edward Fitzgerald) and the day after, Mary Oliver.

Last year one of my brothers gave me a book called My Year In Small Drawings. I can’t really draw but with a space that’s maybe two inches by three inches it doesn’t really matter. Yesterday I drew a man using a laptop from a stock photo. Today I will draw a picture of a picture. I still can’t really draw but that stops being important.

Duolingo. I can tell you that the boy is eating an apple in Polish, Italian, Spanish, French, and German. (Il ragazzo mangia una mela.) I can tell the cat that she is a cat. (She might not know. It’s best to be sure. Jestesz kotem.) Well, I had an A level in French already (le chat mange une pomme) so that doesn’t really count, but as far as the rest of them go I’m building on, at most, a couple of terms of formal learning plus a couple of months in the country in question. Well, there’s a pandemic on, but I can sort out my verb endings while I make my coffee (le chat ne mange pas des pommes; le chat préfère la nourriture sèche).

Teaching myself the piano. A twenty minute timer, and Michael Aaron’s Adult Piano Method. I have yet to master Home On The Range, but I’m getting there faster than I would if I were doing nothing.

Filling in my diary. I use an ordinary engagement diary, A5, week to view, and it’s part scrapbook, part commonplace book, part record of days. That way I can look back and see when was the last time I gathered the compost and when was the last time my right eye did its funny loss of vision thing and when it was I started reading the book I’ve just finished. And I can write down the quotation I want to remember, and I can stick in the pretty oddment that would otherwise be floating around my desk forever.

It hasn’t been every day. Of course it hasn’t. At present everything to the right of middle C is blocked off by the Christmas tree. Some days I’m too tired to write. Some days it is raining and I do not wish to go out to draw strangers using their phones. Some days I forget to read a poem. The diary tends to get updated all at once in front of whatever’s on Eurosport on a Saturday afternoon. It doesn’t matter. If I miss a day, if I miss a week, a month – no guilt. Any day is a good day to do it again.

A poem.

A phrase.

A drawing.

A sentence.

A drop.

Daily Decoration: blue velvet star

Christmas tree decoration in the shape of a five-pointed star, made from blue velvet and embroidered with beads and copper thread

I thought I’d carry this series on until Epiphany. I’m sure I can think of something to say about five more items.

Today’s ornament is this blue velvet star. This came from Oxfam – new. It’s rather fine, if you like that sort of thing, which I do. I love this sort of rich decoration, the sumptuousness of it, particularly at this time of year. I like it in the same sort of way that I like cherry vodka and dark chocolate and going to the theatre and the New Year’s Day concert from Vienna. I wouldn’t want very much of it, and I wouldn’t want it all the time, but once in a while it’s marvellous.

In November, alerted by David at Licence To Queer, I went to see the Noël Coward: Art and Style exhibition at the Guildhall in London. It was excellent – wonderful clothes, fascinating detail about the theatre – but really, my main takeaway was the following:

it is perfectly possible to be a wildly successful polymath while spending most of one’s life in a dressing gown

There was at least one of his dressing gowns on display, as well as some modern ones inspired by Coward’s style. And – which was perhaps equally inspiring – a picture of him sitting up in bed, working, in what looked like a very fancy apartment but was actually a room in the boarding house his mother ran.

This is very much about image, of course, the swan gliding across the surface of the water while paddling furiously underneath. All the dressing gowns in the world can’t replace hard work and talent. (Though I should say that for the next two weeks I intend to read and watch and listen rather than write.) But at the same time, you don’t need to be miserable while doing that hard work. You don’t need to have wall to wall luxury. But if you’re wearing a nice dressing gown, you’re taking your luxury with you.

Daily Decoration: wild bird, wild bells

Christmas tree decoration representing a small pink bird, with tiny metal bells dangling from its feet

This seems to be the closest thing on the Christmas tree to wild bells. And I would like to share wild bells tonight in homage to Tennyson and In Memoriam. Some years I try to read the whole thing on New Year’s Eve; this, too, might be a good year for it, because I’m not boostered yet so we’re not going out.

I’m not quite sure what sort of a bird this is meant to be. I bought it from the fair trade shop in York. Shared Earth, that’s the name of it. Is it a wild bird? Who knows? And those are tiny little bells. They tinkle rather than ring.

It’s been a funny year. It’s felt like an extension of 2020, except that, where 2020 felt like a year to do nothing, in 2021 I felt like I should be doing something but I didn’t know what. 2020 was a year of major personal life events – a house purchase, a new novel – whereas 2021 has all happened at a remove. We cancelled the housewarming party. Some of my friends are out on the town while others are still shielding, and I’m not sure I’ve found the balance. I’ve been living in a walled garden and haven’t even kept up with the pruning. (This sentence is part metaphorical, part literal.) Or so it seems from the rather melancholy mood I inhabit today.

I am not sure that I should be trusting that perception implicitly. When I stop to think, I remember. I have had two coronavirus vaccinations, and the fact that the next one won’t happen until the 4th doesn’t undo that. As of this morning’s lateral flow test, I’ve remained Covid-free. We successfully took possession of a cat. We got a new sofa bed and have had people staying on it. I fell head over heels for a new project in a way that I haven’t done for years. That project’s sitting at 26,000 words, and the other one’s at 56,000 words, and that means that one of them can happen next year. In fact, I wrote loads, and just because I haven’t shared all of it doesn’t mean it doesn’t count. I went to see three films at the cinema, which is three more than I did last year. And I saw live theatre and live music at Ventnor Fringe, and that was fabulous. It isn’t even as if I didn’t have any adventures, because we went to Cornwall, and visited St Michael’s Mount (which I’ve wanted to do forever) and Penzance and Marazion and the Lost Gardens of Heligan (and isn’t that a wonderful name?) and went on an open-topped bus around Land’s End. It’s been a quiet year, but it hasn’t been a non-year.

Ring out, ring out, my mournful rhymes/And ring the fuller minstrel in.

And on the other side of the wall… Well. There’s the gap, I think. I’d like to feel a little less detached this coming year. That detachment is partly an illusion – I’m sitting on the new sofa that friends have already slept on; looking around the room, I see Christmas cards from plenty of people I’ve seen this year; we’ve had wine with neighbours this very evening – but I think there’s something there that’s worth following. The larger heart, the kindlier hand. And yes:

Ring out false pride in place and blood,
   The civic slander and the spite;
   Ring in the love of truth and right,
Ring in the common love of good.

Ring out old shapes of foul disease;
   Ring out the narrowing lust of gold;
   Ring out the thousand wars of old,
Ring in the thousand years of peace.

In fact, here’s the whole lot – recorded by me and my husband last year. (I’d like to do more singing next year, that’s another thing.) Perhaps they aren’t wild bells, but they’re ringing.

Daily Decoration: iridescent plastic hummingbird

Iridescent plastic ornament representing a hummingbird, hanging from an evergreen tree

I bought this one from the British Library. I think it was in 2019, but it might have been a year or so earlier. There were four or five others like it which went to various family households, as is tradition.

I bought it because I liked it. (I do sometimes feel a bit odd about imposing my own very specific taste on my nearest and dearest, but I tell myself that they don’t have to display these things if they don’t want to. Usually they seem to.) I bought it because there was something about the depth of the colours and the gleam of the surface and the grace of the shape that appealed to me. There wasn’t any particular meaning; as far as I’m aware, none of us have any particular feelings about hummingbirds. I just liked it.

I think it’s now fair to say that my last book hasn’t done as well as I’d hoped. Sales haven’t been great; it has yet to be shortlisted for anything; reviews have been favourable but very sparse. One might use the word flop. There are various reasons for this. One big one was the SNAFU that was getting the damn thing out in ebook format, which eventually resulted in my pulling all my paperbacks from Amazon. Another, probably equally big, was the timing. Eight months into a pandemic, people were not terribly interested in reading about institutional inertia and a slow slide into depression. And much of the core, queer Christian, audience was distracted by Living in Love and Faith.

I still think it’s good. I still think it’s the best one so far. I think I managed to say something important. And most of the time I manage not to care what anyone else thinks. But it was a lot of hard work. It was very personal – more personal than I’d thought, going in – and it meant spending time in depressing places.

But it’s done. And it’s been something of a relief this year to find myself writing things just because I want to. Silly things. Frivolous things. Next door to fanfic, really. Yes, fine, in one I find myself gently making the same marriage: maybe won’t fix everything? point, and in the other I find myself looking at the inadequacies of yet another political system, so it’s business as usual. And next door to fanfic they might be, but since I’m still having to fill in characters, history, and geography on a blank sheet, they aren’t any less work.

I’m putting that work in. These are going to be good. They may or may not end up saying anything important. I’m alternating between having a huge amount of fun and tearing my hair out – over the thriller plot, over how to resolve the other one, over how clever is too clever and how many Easter eggs is too many. And once you’re this far into a book it doesn’t really matter why you started it: finishing it is going to be hard work. It’s going to be a lovely thing once it’s finished, though.

If you want to give The Real World a go regardless, it’s currently half price at Smashwords.

Daily Decoration: Santa Ballycumber

Christmas tree decoration made of a square of translucent plastic upon which is a picture of a red book with arms and legs, wearing a Santa hat

I didn’t say where I got yesterday’s ornament. It was, like today’s, a present from a BookCrosser.

This book usually appears in yellow, and hatless. His name is Ballycumber, and he is the BookCrossing logo.

I joined BookCrossing about a decade ago now, with the intention of moving some books out of the house. This worked, in that I got some books out of the house. It backfired somewhat, in that a whole lot more books came in. More to the point, it was an awful lot of fun. I joined in bookrings and bookrays, bookboxes, swaps and sweepstakes. This decoration came in an ornament swap. Yesterday’s was a thank-you for taking part in the Twelve Days of Christmas exchange.

I haven’t been so involved in BookCrossing lately. Part of that’s been the rising cost of postage. Part of it’s just been general pandemic incoherence. Things slip. I let things drift. I’d quite like to pull some of them back next year. And perhaps get involved in some new things, too.

Daily Decoration: a swan a-swimming (not on the seventh day)

A flat wooden Christmas tree decoration with a swan and the figure 7 in gold on a green background

Today is not the seventh day of Christmas. But this is the only Twelve Days of Christmas ornament I have, and today I have seen a very large number of geese. Not a-laying, but a lot more than six of them. Two hundred, at least. I thought for a long time that they were swans, until four or five of them flew overhead, and the sound was wrong – honking, not the whirring noise that swans’ wings make – and the beaks were wrong. So the day’s wrong and the numbers are wrong and the birds are wrong, and none of them were either a-swimming or a-laying.

But it was great. You can’t argue with a field of two hundred waterfowl, and besides, I was out on a decent walk, an hour out, an hour back, and that’s something I haven’t done as much as I’d like this year. I’ve done a lot of quick morning walks – twenty-five minutes out, twenty-five minutes back – but not much new territory. I think part of that’s a hangover from last year. I got out of the habit of walking to places in lockdown, when the pubs were shut and the trains were for essential travel only, and so any walk had to be short and circular.

Today’s walk wasn’t a new one. Coveney and back again: I’ve done that plenty of times, on foot and on my bike. But it was time and space to think about the adventures I might yet take. It’s tricky, obviously, with the Continent shutting down every few months. Maybe 2022 is the year we go down the Rhine. And I have this idea of cycling from Ghent to Aachen. And I’m less interested than I used to be in crossing one route after another off a list. That means going to places because I want to go to them – but knowing what I want to do can still be a challenge sometimes. It needs to be a bit more specific than ‘somewhere new’.

More than anything, I think, it needs a change in mindset. Adventure happens when I’m adventurous. And in the meantime, perhaps, I can be preparing. Getting my road bike serviced. Looking at maps. Going a little bit further, a little bit longer. Expanding my comfort zone a bit at a time. And in the meantime, there are hundreds of geese if I only walk half an hour from my front door.