2022: the year that got away?

A tub of tulips, one about to open in a deep pink colour, frosted with raindrops
It must be April. The tulips are flowering.

In twelve days, it will be Easter. I’m not quite sure how. This year has slipped past without my really noticing.

I noticed Candlemas, because that was the day of Pa’s funeral. I noticed Ash Wednesday, because we had a friend staying and she reminded us about pancakes. I noticed Lady Day (the first day of the year, in old money, and maybe this is a good year to claim that do-over), but I was in no position to do anything about it because I was flat out on the sofa with Covid. And now here we are in April, and this Sunday will be Palm Sunday, and the Sunday after that will be Easter.

2022 has felt rather as if I’m bobbing around on a raft on the ocean, and every time I get myself and my raft the right way up another huge wave has crashed down and swamped me again and all I can do is hang on.

That sounds gloomy, and, oddly enough, I’m not feeling all that gloomy. Not tonight, anyway. I’m reasonably confident that the shore’s over there somewhere and, so long as I keep hold of the rope I’ll wash up on dry land eventually. But the first three months of this year have disappeared in death administration, and fortnightly dashes to the Isle of Wight, and Covid, and I assume I must have been doing my day job in between times.

What I haven’t been doing much of is writing. Or at least I think I haven’t. I never write much on the Isle of Wight. It’s like another dimension. The train journeys have worked their usual magic, it’s true, but I’m way behind on typing up the longhand from those train journeys. I’m very aware that I’ve been neglecting this blog. And the last two weeks have been (wait for it) a write-off. All I managed to write when I had Covid was a report on the event at which I caught Covid.

And I was feeling gloomy about this on Sunday evening.

I had high hopes for this year. I was aiming to get an anthology of short stories out in time for Ventnor Fringe and the Ruritanian novel done for Christmas. Those would have been entirely reasonable goals, if this had turned out to be a usual year. As things are, not only have I lost three months, but those projects have got all tangled up with grief. Technically, they need ruthlessness. Emotionally, they need gentleness. The Book Bus will be at Ventnor Fringe, and I’ll be there too, but there’s no way I’m going to get those little stories finished off and tidied up for July, not when they’ve been joined by hundreds of other stories that perhaps aren’t mine to tell. And really I was writing the Ruritanian thing for myself and for Pa, and at the moment I can’t quite bring myself write Buchanesque chase scenes with trams when I know he won’t read them.

So I’m regrouping. The Ruritanian novel is reclaiming its ‘frivolous side project’ status, and I’ll work on it for fun, when it becomes fun again. The book bus stories will happen one of these years, but it won’t be this year. I’m shifting my focus to the 1920s Romeo and Juliet thing. That’s a little annoying in that I have 26,000 words on that, compared to 58,000 on the Ruritanian thing, but it’s going to be quite a lot easier in that it’s character-driven (very much my strength) as opposed to plot-driven (very much not).

This leaves me with the question of what I publish in 2022. Of course, nothing is an option. But I’ve been publishing a book every even-numbered year since 2016 now, and there’s part of me that’s reluctant to spoil the pattern. One possible answer is an anthology of short stories – not the book bus stories (well, maybe I’ll borrow one of them), but a selection of vaguely sapphic vaguely historical things. Things like Stronger Than Death, which appeared in an anthology by a publisher that has since stopped trading, and The Sisters’ House, which was written for a very specific call for submissions and wasn’t selected, and Prima Donna, for which the rights returned to me ages ago, and The Secret of the Glacier, which has never been published at all. I’d quite like to pull them all together, and write a few more stories to round the collection out. I should be able to manage that over the next eight months. Although, now I come to look at my calendar for May and June and July and August, it might be more of a challenge than you’d think…

3 thoughts on “2022: the year that got away?”

  1. There’s a fascinating In Our Time programme on R4 about the history of vampires relating to Gothic stuff and translocation etc etc, so if you have 45 mins to spare you could listen on Listen Again – after all there is still enormous interest in Ruritanian affairs even though the main reader, Pa, is no longer with us

    Like

  2. You’ve certainly had quite a year so far Kathleen. Even in the best of circumstances, it feels to me like time is just becoming more odd. I applaud your attitude of loosening your original plans and allowing yourself to regroup.

    Liked by 1 person

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