December Reflections 23: seasonal

Slow Time by Waverly Fitzgerald, The Morville Year by Katherine Swift, and a bar of soap garnished with star anise and a dried bayleaf, all on a brightly coloured quilt with baby toys

I don’t know where this year’s gone. (I mean, I know exactly why it’s gone, but that isn’t quite the same thing.) Which is unusual for me, because I usually make a point of being aware of where I am in time.

These last few days, though, it’s all seemed to settle down, though not on account on anything I’ve done myself. The Morville Year, which I’d bought and immediately lost in the extra safe place in which I’d hidden the present I bought at the same time, turned up (as did the present – too late for the birthday for which it was originally intended, but just in time for Christmas). I loved The Morville Hours and the way it moves gently through the cycle of the year, and have been looking forward to reading this, a collection of related articles.

Slow Time is an old friend, a book that’s encouraged me to explore the calendar and the traditions in which I grew up. And one thing that I have already noticed about organised children’s activities is that they are very keen on seasonal themes, so it ought to get easier from here on in.

One last thing. I was amused to note, firstly that I’d run out of my previous soap bar just in time to start the Christmas Spice one – and secondly, that the one I’ve just finished (and had been using all through Advent) was called Wake Up Call. If you know, you know.

December Reflections 6: best book of 2023

Paperback copy of Hood by Emma Donoghue and a hardback copy of Winters in the World: a journey through the Anglo-Saxon year by Eleanor Parker, both on a brightly coloured velvet patchwork scarf

Haven’t been reading much lately so had to go back some months, but here’s one fiction book and one non-fiction.

“Hood” dates from before Emma Donoghue started writing historical fiction, but has become a period piece in its own right – a snapshot of the Irish lesbian scene thirty or forty years ago. Complicated, but generally likeable, characters, and a really convincing portrait of the intricacies and contradictions of grief.

“Winters in the World” is much more recent – in fact, probably the most recent book I read this year. I think it came out late 2022. It’s lovely – a slow journey through the seasons and festivals of the year as seen through early medieval literature. Some of the pieces quoted were familiar, from church or from my long ago Eng Lit degree, but most were new to me. Much more enjoyable and edifying (she tells herself sternly) than arguing online over whether some advertising gimmick invented in 1957 is a sekrit pagan survival. (I don’t actually argue, but I do waste time and emotional energy muttering to myself about it.)

Not pictured, because on my e-reader, Plain Bad Heroines (Emily m Danforth) and Bad To The Bone (Brian Waddington) – two slick, stylish, cynical novels with what I’d like to call a side of magical realism if only that didn’t sound so much like whimsy. Which they very much weren’t.