Second novel syndrome

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I thought I’d escaped second novel syndrome. By the time my first novel was out, I already had the first words of the second novel queuing up in my head, clamouring to be written down.

Speak Its Name didn’t make much of a splash, and that was something of a blessing. I was able to keep plugging away at A Spoke in the Wheel, here a word, there a paragraph, and by about April I had something that resembled a first draft.

Then I won a Betty Trask Award. And that was amazing and brilliant, and I am at this moment planning to spend my prize money on an epic Interrail trip around Europe, but it hasn’t half given the monsters a lot to talk about.

Here is a sample of some monster views on A Spoke in the Wheel:

  • this one’s not going to win you any awards, you know
  • it’s not as good as Speak Its Name
  • it is NEVER going to be as good as Speak Its Name
  • and everyone who reads both will know that and you will DISAPPOINT THEM
  • you’re a one-hit wonder
  • everyone who was impressed by the award? NOT IMPRESSED ANY MORE!
  • you have to create a COHERENT BRAND!!!
  • write what you know!!! why are you not WRITING WHAT YOU KNOW???

But that’s monsters for you. They don’t want you putting a substandard product out there, because then PEOPLE WILL LAUGH AT YOU.

And you know, it’s a reasonable point, if only they could make it without all the screaming. Nobody wants me to put a substandard product out there.

What I’d forgotten – what I always forget, every time – was that I’d been here before. I’d already run into moments of self-doubt, several times over the course of writing that first draft. I’d always been able to talk myself out of them. I thought this time was different, that this time it really was going to turn out to be unsalvageable.

That always happens, too. I always think it’s going to be unsalvageable, and it never is.

Second Novel Syndrome was only a recurrence of what had happened during the writing of the first. It’s always the same. I get a horrible sense of its not being good enough.

Then I see what’s wrong with it.

Then I see how to fix it.

And then I remember that all that the yelling really means is this:

It isn’t finished yet.

Three links

2013 September 031

Firstly, an interview with crime writer Don Massenzio. You can read my thoughts on ego (and why it’s necessary to have one), the pseudonym I’ll probably never use, and who I’d like to invite for dinner in the name of musicological research. It’s all here: Perfect Ten with Kathleen Jowitt

Secondly, the Society of Authors have put up a link to a recording of the Authors Awards ceremony from June. If you don’t want to listen to the whole thing, the presentation of the Betty Trask Prize and Awards can be heard beginning at 08:14, with specific reference to Speak Its Name at 13:20. But I’m really linking it for Ben Okri’s absolutely stonking speech, which begins at 25:35. Highly recommended for any author who occasionally (or often) finds themself wondering what the point of it all is…

Thirdly, I’ve now set up a Facebook page for me and my works. If you use Facebook for that sort of thing, wander over here and give me a like.

 

The Authors’ Awards

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On Tuesday evening, after much fretting over whether my shoes were classy enough for the Army & Navy Club, I headed across London to the Authors’ Awards.

As you can see from the photograph, I came away with a Betty Trask Award (and a cheque for £3000, not pictured).

The winner of the Betty Trask Prize was Daniel Shand, and very well-deserved. Fallow is a seriously good book, funny and creepy and very difficult to put down. Actually, I wouldn’t hesitate to recommend any of the books on the shortlist. They’re all very different from each other, but they’re all of a very high quality.

I got to meet four of my five fellow shortlistees, and they’re all lovely people. In fact, everybody I talked to was absolutely charming. I was half-expecting some snottiness about my being self-published, but in fact my having got so far under my own steam seemed to impress people. And what people! Names that I knew from my bookcase and from my Twitter feed turned out to belong to real live human beings. I tried not to gush too much…

There was wine. There was water. There were little canapés, though I was too nervous to eat much at all. My book was for sale on a table with other people’s books! (Since all my books are sold via print-on-demand, this was something that I’d never seen before, and if I was being flippant I’d say that it did almost as much for my self-esteem as the fact that I was there to receive a very prestigious award…)

Ben Okri, who presented the prizes, gave a speech that affirmed the role of the writer as a person who touches truth, ‘the mystery and the miracle’, and talked about the way that a prize gives you ‘the quiet strength to go on being crazy’. Certainly that resonates with my experience so far…

Well, here’s to the mystery and the miracle that is writing. Tuesday evening, whether it turns out to have been my fifteen minutes of fame or the beginning of the rest of my life, was an event I’ll never forget. And my shoes were fine.

Celebratory giveaway

I am still celebrating Speak Its Name being shortlisted for the Betty Trask Prize.

When I first heard the news, I got a glass of red wine for myself and a glass of Estrella Galicia for my brother.

When the news went public, a week later, we went out for dinner and I got a bottle of white Rioja. (This was a mistake. I’ve drunk and liked white Riojas in the past, but this one was disgustingly sweet. Perhaps the name – Diamante – should have been a clue.)

When I told my team at work I bought cake.

Now I’m celebrating with a giveaway at Goodreads. Wander over there if you’d like to be in with a shot at winning a copy of my book. Some people whose work I admire very much thought it was rather good…

Goodreads Book Giveaway

Speak Its Name by Kathleen Jowitt

Speak Its Name

by Kathleen Jowitt

Giveaway ends June 20, 2017.

See the giveaway details
at Goodreads.

Enter Giveaway

 

Getting used to the idea (of being the first self-published author shortlisted for the Betty Trask Prize)

It’s been ten days since the news broke, and I’m gradually getting used to the idea. Ideas, plural. That my book has been shortlisted for a major literary prize. That, whatever else happens, I have won £3000 to spend on foreign travel. That people whose writing I admire a huge amount have read my book. That people whose writing I admire a huge amount liked my book. Joanne Harris. Michèle Roberts. Simon Brett.

I’m pretty sure that this will turn out to have been life-changing, but in the meantime life goes on. I cycle to the station and I catch my train; I reset some passwords and I design a flyer or two. And I get used to the idea.

So do the people around me: the ones who knew before that I’d written a book, and the ones who didn’t. I’d kept it reasonably quiet at work, at church, in the extended family. People who followed me on Twitter probably knew; people who didn’t, probably didn’t.

And I have to admit that it’s suddenly become a lot easier to tell people. It’s not just, ‘I’ve written a book.’ It’s ‘I’ve written a book, and some very good writers think it’s good.’

One of the most important requirements of self-publishing, and one that I really didn’t appreciate until I did it myself, is a sheer bloody-minded refusal to give a damn what anybody else thinks. Or, less aggressively, the willingness to accept that every aspect and defect of the book is my own responsibility.

I appreciate the apparent contradiction between those two paragraphs, believe me.

I can only speak for myself, but I found that the bloody-mindedness didn’t land until just after I turned thirty. (Which may go some way towards explaining why I’m the first self-published author to be shortlisted for the Betty Trask Prize. The upper age limit is 35.) Up until then I was looking for somebody else to affirm my sense that my book was good, that it was worth putting out into the world. I was looking for somebody else to take responsibility. In the end, I had to do it for myself.

Of course I can see now that it would always have been my responsibility, no matter how many other people were named on the acknowledgements page, no matter who took the final decision to put the thing out into the world. It’s come into starker focus for me, that’s all.

I have this sense that I’m trying to get to the point where I genuinely, honestly, don’t care what anyone else thinks, no matter who they are, no matter what their qualifications. In the meantime, however, a judging panel composed of Joanne Harris, Michèle Roberts, and Simon Brett likes my book. I think that’s going to keep me smiling for a long, long time.

 

A couple of links

I’m still a little bemused by the fact that I now exist in a universe where I’m a headline in The Bookseller, but here it is: Self -published debut on Betty Trask Prize shortlist

And while I was away this very touching review appeared on Love Bytes Reviews. Becca says:

I love this book also because even though the book was fictional it reflects real life. So many people today struggle for so many reasons and being told you are bad or disgusting when the opposite is true can be crushing. People are still worthy of love no matter what they do or how they live their lives, as Lydia learned and finally accepted. The people who love you are who matter.