Three quick links

13-2014 August 039

Firstly, I’ve finally sorted myself out with a mailing list. This is solely for the purpose of letting people know when I’ve got new stories available – my between-times burblings will remain here on the blog. If you want to receive a very occasional email letting you know that I’ve got a new book out, or a piece in someone else’s podcast or anthology, and also to read subscriber-only short stories, sign up to my mailing list

Secondly, Ezvid Wiki think I’m generating a lot of buzz.

Thirdly, this is the last week in which Speak Its Name and A Spoke In The Wheel are free.

Meanwhile, in the real world…

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Do you remember how, back at the beginning of lockdown, various obnoxious productivity types were telling us all that if we didn’t come out of it with a new skill or a novel then we were all pathetic failures? I haven’t heard so much from them recently. That may have something to do with my spending less time on Twitter. Or the obnoxious types may have discovered that in fact it’s not so easy to get things done with a global crisis going on outside, and have shut up.

As it happens, I’ve learned a few new skills – painting walls, making curtains, changing taps – but they’ve had more to do with having just moved house than with enforced leisure. I’ve continued to work full time, so, apart from the commute (which I’ve gleefully replaced with an additional daily hour in bed) I haven’t had much in the way of enforced leisure. Anyway, I went into lockdown with a novel, or, at least, 93,000 words of one, so it would be a bit of a cheat to claim that it had anything to do with coronavirus. If anything, I was hoping to make it shorter. As it is, I’ve now got 94,661 words. They’re better, though. They’re quite a lot better.

They’re good enough for me to say, tentatively, that this book’s going to come out this year.

I’m aiming for a release date in November. Of course, this means that I need to have everything done in September, which means that I’ve only got a couple of months to get things done. But that feels achievable, now, in a way that it didn’t at the beginning of the year.

Meanwhile, my existing books will remain free to download from Lulu until the end of this month. After that they’ll go back to full price. Consider this fair warning, and, if you haven’t grabbed them already, you can find them here:

A brief update (and free books)

Hello friends! I hope you’re keeping well. It’s a funny old time – though I think perhaps it feels less strange for me as we moved house two weeks ago, so the general chaos of curtain rails and cardboard boxes has drowned out the background, global, disquiet. And we still don’t have broadband at the new place so I haven’t been online much.

However, I have seen that many institutions, artists, musicians and writers, have put their work online for free, to go at least a little way towards brightening the gloom or passing a few dull hours. And I thought I’d do likewise. The ebook versions of both of my novels can now be downloaded for free from Lulu. The price reduction should eventually filter through to the other online bookshops.

If you’re trying to come to terms with the sudden absence of sport from your life, try A Spoke In The Wheel. If your church, university, or both, has moved online and you’re missing the politics (erm…) you might prefer Speak Its Name. Feel free to download both if you like! I’m in the fortunate position of being in salaried work that I can do from home, so I won’t be disadvantaged by people reading my books for free. And, once I’ve got fed up with putting up picture hooks and painting walls, I’ll finish the next book, and you’ll be able to buy that one.

 

Charity vs piracy: my take on the second-hand books question

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As usual, I’m late to the controversy. As usual, I only have a hazy idea of what actually went down. But I think it was something like this:

  1. A site went up which shared pirated ebooks in PDF format
  2. Authors and publishers protested
  3. Users of the pirate site protested in turn
  4. Conclusions were jumped to (authors do not want people to read their books for free!)
  5. Assumptions were made (authors do not want people to read their books in any way that doesn’t involve buying the book new!)
  6. Somewhere in the middle of this, the site was taken down
  7. But the controversy kept running

If you happened to look at Twitter at the wrong moment, you might well be forgiven for concluding that authors disapprove of: libraries, charity shops, jumble sales, second-hand bookshops, those shelves you find in caf├ęs and staff rooms and railway stations.

(Although if you looked a bit harder you’d find plenty of authors who’d disagree.)

There simply aren’t enough hard copies of my books out there in the wild for this to affect me. If there’s somebody currently scouring the charity shops of Britain in the hopes of picking up a paperback of Speak Its Name, then all I can say is, good luck to them. They’ll spend more on the petrol or the train fare than they would just buying the thing new.

So really, I’m talking as a reader here, as a browser, as a purchaser.

I’m talking about charity shops here, and about libraries, and about bricks-and-mortar second-hand bookshops. I’m talking about places with actual shelves. I’ve spent a lot of time in that sort of place over the years. And I have picked up books by authors I’d never heard of. My eye has been caught by a title, a cover picture, a half-remembered name.

And I wouldn’t have spent nine pounds ninety nine on this whim, but fifty pence, two pounds, seems like a decent gamble. Because it is a gamble. I might abandon it after one chapter. On the other hand, I might end up devoting the next five years of my life to finding everything else that author wrote and buying it – yes! perhaps even new!

And I have never felt remotely guilty about any of that; nor do I intend to start now. I am pleased to support a small business or a charity. (Well, most charities – but that’s another story.)

If I like a book, I might keep it and re-read it. If I don’t like it, am I expected to throw it away? Because I certainly don’t want it around my house. No. I will pass it on to a charity shop, or leave it on a swap shelf, or BookCross it, and if someone ends up selling it for fifty pence or five pounds, then they’re welcome to it. And, if I’m honest, the implication that all books should be new books (because that’s where the other way of thinking leads leads) appalls me on ecological grounds, quite apart from anything else.

Many of my clothes came from charity shops, and many have gone back to others. I don’t see the difference when it comes to books. Nobody apart from me can wear the dress that I am wearing. (They can wear a dress very like it, but that’s another story.) But I can lend, give, or sell it to somebody else without the manufacturer having any reasonable grounds for complaint. Likewise, nobody except me can read (for example) the particular copy of The Birthday Party (Veronica Henry) that’s currently on top of my chest-of-drawers. But I could lend, give, or sell it to you, and then you could read it.

And I don’t think that’s depriving Veronica Henry of any income that she could reasonably have expected, because I’d never heard of her before a BookCrosser sent me that book. On the other hand, if I were to start making and handing out copies of it to anyone who asked – people who were actively looking for her book, say – then that would be illegal and immoral. And that’s what the PDF distribution site was doing.

But the existence of any physical copy of any book implies that at some point, perhaps way, way back in the dim and distant past, the author (or the author’s estate, or whoever managed to get the rights off the author**) has been paid for that copy of that book. That is what makes the difference for me between the second-hand trade and piracy.

Incidentally, if you do happen to want a free ebook, then my Speak Its Name is free on Kobo, the iBookstore, Barnes and Noble, and Lulu until the end of September. And if anyone tells you off for downloading it, well, you can tell them that I wrote it and I published and I’m the one who gets to set the price. My apologies to Kindle users: I’m waiting for Amazon to catch up. If you don’t want to wait, you can get an EPUB copy and run it through Calibre with my blessing.

 

* I also make extensive and enthusiastic use of Project Gutenberg, on the grounds that the authors represented there are far too dead to care, and for the most part, so are their heirs.