Two historical f/f fiction podcasts

isle-of-wight-coastal-path-looking-west-from-blackgang_7863516926_o

If you like having other people read you historical f/f fiction written by me, November was the month to do it. I don’t think there was any particular reason why it was November; it just worked out that way. But, because the internet is, if not forever, at least reasonably long-lasting, you can still listen to two podcasts featuring stories that I wrote:

  • Prima Donna featured on A Story Most Queer a couple of weeks ago:

Everybody knows why the great Signora Valli left the Licorne opera company. Everybody, that is, except Monsieur Perret, who has taken the brave—some would say, foolish—decision to cast her opposite rising star Delphine Vincent-Leclerc in Rossini’s Tancredi. But what everybody knows is only half the story.

It’s narrated by Julia Rittenberg and you can listen to it here (34 minutes). The story also appears in the anthology Upstaged from Supposed Crimes.

  • The Mermaid was the last of this year’s Lesbian Historical Motif Podcast fiction series:

Salvaging shipwrecks on the coast of the Isle of Wight in the eighteenth century can lead to unexpected treasure.

It’s narrated by Heather Rose Jones and you can listen to it here (18 minutes). You can also read a transcript here.

I’ve always been a bit hesitant about attempting historical fiction: so much to get wrong! So much more research! I don’t know whether I’d ever have the guts to attempt a full-length novel. At any rate, in both of these stories I found a way in through that old chestnut write what you know.

With Prima Donna, what I know is what it’s like to be an alto, to come to terms with the fact that even if you get really good (I never got really good, and also I have the acting ability of the average house brick) you’ll never get the biggest bouquets. It’s also the reading I did about the time when that wasn’t the case: the first few decades of the nineteenth century, when the castrati were dying out and the heroic roles that they had previously sung were now going to female singers. (Actually, those weren’t necessarily altos, either.) Signora Valli is one of those versatile sopranos who could play either hero or heroine. Delphine represents the new order (soprano heroine, tenor hero, villainous bass, and any other women relegated to confidante or crone) – or does she?

(I recommend Voicing Gender by Naomi André, by the way, if you want to know more about this period of opera – and you feel up to some fairly impenetrable academicese.)

Prima Donna

As for The Mermaid, what I know is the south coast of the Isle of Wight, the way that you don’t really trust the sea even on a calm day, the stories of wrecks and wreckers. This is a coast I’ve walked – except it isn’t, because the cliffs that Alice knows in my story will have long since crumbled into the sea. This is the Island before the tourists, before Queen Victoria, before Keats. This is the south west coast before the Napoleonic Wars prompted the construction of the Military Road, when it was even more remote from the rest of the Island, and anything could happen…

The Mermaid

Three good things

IMG_20190205_103931_693

Well, after a winter that I’ll freely admit has been a bit of a slog in terms of writing, I’ve got three pieces of good news to share this week.

The Selfies

I’m very pleased to announce that A Spoke In The Wheel appears on the first ever shortlist for The Selfies Award. Self-publishing can get you second-guessing yourself and your work, and it’s such a delight to have the quality of your work recognised. Kudos to BookBrunch for establishing this award.

I’d also like to say how good it is to be part of the self-publishing community. All eight women on the shortlist seem to be as pleased for each other as they are for themselves! I’m really looking forward to meeting them at the awards ceremony.

Rainbow Bouquet

My short story Stronger Than Death appears in Rainbow Bouquet, a Valentine’s anthology from Manifold Press.

Cecily Strangways could never see ghosts – until she became one herself. Now, three hundred and fifty years later, she’s got to find some way of saving the family home from being turned into offices – and persuade the Grey Lady to help her.

The other stories in the anthology also look like a lot of fun! You can pre-order it at Amazon.co.uk, Amazon.com, and Smashwords.

Lesbian History Motif Podcast

You’ll have to wait a bit longer for this one, but I’ve also got a short story lined up for the Lesbian History Motif Podcast’s fiction series. Again, the rest of the table of contents looks very intriguing as well.

In The Mermaid, a farmer’s daughter on the treacherous south-west coast of the Isle of Wight finds unexpected treasure in a shipwreck. But someone else thinks it belongs to him…