Winter requirements satisfied

Cathedral silhouette against a pale blue sky, framed by a telegraph pole and wire

Saturday was ridiculously beautiful, and also ridiculously busy. It concentrated almost all the busyness for the month of January into one day. I went to a Cursillo training day in the morning (I’m not on the staff this time; I was just showing up to show support) and a party in the afternoon, and in between I practised two duets and made a chilli.

It was also really quite cold. This beautiful hazy morning sharpened and brightened, and the grass was hard and lumpy underfoot, and while we were singing and playing and dancing the fog rolled in and when we left we couldn’t see further than about twenty feet.

And it turns out that what I really needed in order to feel satisfied that winter has happened properly was a) a cold snap; and b) an exuberant party. Which this was. I sang Rossini (sure, it was the Cats’ Duet, but it’s not easy) and danced a Horse’s Brawl. It was great. I went back to work today (from the dining table) and it felt entirely appropriate. The festive season is concluded in style and I am now happy to get on with the rest of the year.

Epiphany

Pale mauve cyclamen flowers and variegated green leaves, shiny with rain, growing in wet ground.

The earth tips back and the light reaches back out to the north, stretches, spreads over us. The sun stays past four o’clock, just a little bit more than eight hours now. The solstice marked the turning point; now I begin to notice.

It’s cold, though. I walked out earlier, just a little way. My loose silky trousers, practical for a healing abdomen, are not so practical for a January walk; I am grateful for my brother’s long-ago recommendation of long-john base layers. I realised, half-way out, that my mind was singing me the enquiry of the Three Kings, the steady four-four of Mendelssohn’s setting keeping pace with my footsteps. Say, where is he born the king of Judea, for we have seen – for we have seen – have seen his star – have see-een his star and are co-ome to ado-ore him – have see-een his star and are co-ome to adore him… These Magi are walking, I think; it isn’t the swaying three-four camel-gait of We Three Kings. Too late, too slow, looking in the wrong place, but getting there in the end.

I caught a glimpse of the cathedral between two houses (you can see it from most places, if you look hard enough) and the flag on the west tower was streaming straight out in a rectangle, like a child’s drawing. The moon, just shy of a quarter, winked through a window of cloud and went away again. I turned, left it at my left shoulder, and turned back towards the sun, and into the wind.

In the garden, the cyclamen have bloomed: sturdy stems, delicate mauve flowers shaped like fantastic head-dresses springing from a rolled band, more outlandish than you’d see in any nativity play. I planted them under the most troublesome of the apple trees, hoping to introduce a little colour against that gloomy fence if nothing else. Suddenly, I’m vindicated.

Prosit Neujahr!

Christmas tree ornament: cream-painted metal silhouette of a cherub holding a curled horn

I’ve been feeling pretty sore and wiped out today, and the weather’s been horrible: driving rain before lunch, and a cold wind afterwards. In a different year I would have been in Winchester for the Friends of King Alfred Buses running day; in a different state of health I’d at least have been out for a bracing walk. But there’s something to be said for easing into the New Year with what is, after all, just as longstanding a tradition; for galvanising my intention to make some more music this year (and it needs galvanising: I’ve signed up to sing two duets in little more than a week’s time); for taking time to heal; and for letting pleasure and whimsy and beauty come to me. So we watched the New Year’s Concert from Vienna this morning, and this afternoon I crashed out, first in bed and then on the sofa, and I can’t say that I have any complaints at all about how I’ve spent New Year’s Day.

Week-end: ancestral

Head and front half of large eel made from tie-dye fabric with several pairs of human legs visible beneath

The good and the mixed

Spending time with family (and the friends who might as well be family). We buried Pa’s ashes in the family plot, as he’d always wanted, on the most beautiful April day with the bluebells coming out and a cherry tree in blossom, and had a long late lunch afterwards.

Then there was a theatre trip with the brothers – of which more later.

And it was a good week. But everything felt like a dreadful rush, somehow. (Bolting a meal at Wagamama and dashing to the theatre is fast becoming a tradition for me and my eldest brother…) I didn’t speak to many people for as long as I’d have liked, and I have a nagging sense of having missed opportunities. Part of it, of course, is being tired (partly because it’s a lot of rushing around, partly because I am just tired all the time these days) and therefore not being able to engage as fully as I might otherwise; and part of it is pure practicalities: it’s difficult to talk to people when they’re at the opposite end of the table from you, and of course you can’t talk in the theatre.

The difficult and perplexing

I could really have done without skinning my knees again. I suppose there’s a certain symmetry in bookending my week with sticking plasters.

What’s working

Naps. Naps continue to improve everything.

Reading

I finished Wildfire at Midnight. Hmm. Personally I’d have murdered some other characters, but there we go. It’s a very compelling read. Then I finished Bad to the Bone. This was excellent: a five-minutes-into-the-future (at least, at the time of publication), quasi-surreal account by an anonymous narrator of a doping(ish) scandal in the professional cycling peloton. The prose was excellent and, while the mechanics were far-fetched, the racing felt incredibly real. I feel that it could have tried to answer a few more questions, though.

Yesterday I had a ‘lounge in bed’ sort of a day, and read a lot of Agatha Christie: A Murder is Announced (very good, but I remembered too many of the twists from last time for it to be surprising), Ordeal by Innocence (not one of her best, and very of-its-time in the way it thinks about adoption), and Appointment with Death (OK, but not brilliant).

Mending

Some things that have been waiting for a very long time – Tony’s dressing gown, a fancy T-shirt, the collar of my Apollo blueprint dress.

Watching

Sweeney Todd – subtitled The Victorian Melodrama, and sub-subtitled NOT the musical by Stephen Sondheim (Opera della Luna). This took the script of the original 1847 production and added – as seems to have been consistent with period practice – background music from a small orchestra. The music came from various (higher-brow) composers of the era, including my great-great-great-grandfather Julius Benedict. Hence our going to see it: I may never hear Benedict’s music performed live by professionals again. Of course, the problem with its being so very obscure is that I couldn’t distinguish it from that of the other composers (though I did recognise Home Sweet Home – Bishop – and When Other Lips – Balfe). But anyway, it all sounded great, and the orchestra also did sterling service making the sound effects.

Quite apart from family pride, it was extremely enjoyable as a piece of theatre – a proper old-fashioned hiss-the-villain fun, with a small and talented company playing a very large cast. The theatre (Wilton’s Music Hall, in the East End) is a fantastic building.

And today Tony and I went to watch the eel parade, which is one of those delightfully specific local celebrations. The eel was constructed along the lines of Chinese New Year dragons, and followed by: representatives of the Royal British Legion; a samba band; a couple of dance schools; and Brownies/Guides/Rainbows. And one enterprising youngster had a smaller papier maché eel. Very much like Remembrance Day, except for all the ways in which it wasn’t.

Looking at

St Swithun’s, Martyr Worthy, which is a delightful little church with a Norman door. According to the lay reader who took the ceremony for us, it’s still regularly used and there is a decent variety of services. There’s a monument to someone from Sir John Moore’s company – Pa was always interested in the retreat from Coruña and I wonder if that was where that started.

I was interested to see that the visitors’ book was chock full of people walking St James’ Way, which seems to have really taken off since I did it in 2015. (For starters, I don’t think the church was open then, or I’d have looked in; these days it has a sello.)

Cooking

Not much this week, as I’ve mostly been out, but I did rösti with purple sprouting broccoli and fried eggs yesterday. Pretty good.

Eating

Scampi and chips in Winchester; ramen with vegetable gyoza at Wagamama; Scotch egg from the market today.

Noticing

A bush with blue flowers and loads of bees. From the train, several deer. In a charity shop in Sutton, several James Bond tie-in model cars.

In the garden

I did quite a lot this afternoon: trimmed a couple of bushes, sowed sweet pea and nasturtium seeds, watered the pear trees, pulled up some weeds. I also repotted the agave and aloe veras. Our predecessors’ compost bin has obligingly produced a load of compost (I’m not sure I looked into it at all last year). The wisteria is looking likely to produce more flowers than we’ve ever had here; the lily-of-the-valley is beginning to flower, and I think the peony may not be dead after all.

Appreciating

Sunshine. Small towns. The way you don’t need to explain family to family.

Acquisitions

Two parcels today: a new bra and Run Away Home.

Hankering

I was rather taken by a lampshade with a print of eels. I shall continue to think about it. It would certainly be an improvement on the ribbon-and-plastic-bead monstrosity that’s currently in my study.

Line of the week

There were several candidates from Bad to the Bone.

Their nerves are running on ninety seven per cent adrenalin, their fuses so short that if they were off their bikes and a leaf fell on their head they’d beat it to a pulp; and then somewhere inside someone’s head the little glass capsule shatters, the acid snaps the spring, muscles convulse, tyres lash tarmac and they’re on their own, elbows overlapping, bikes barrelling through forty five degrees beneath them as they screw them left and right, arms heaving, feet whipping, riding inside the arc of each other’s elbows, trying to get down the inside, through the gap that opens and closes three times a second, round the outside of a guy who’s going nearly as much across the road as along it because he’s got his head down between his knees because that way he can concentrate exclusively on pulling the bars off his machine without distraction.

This coming week

Bank holiday. Antenatal class. Midwife appointment. And we are going to a spa.

Anything you’d like to share from this week? Any hopes for next week? Share them here!

Week-end: Euston, we have a problem

Bookshelf with copies of: 'Bicycles and Broomsticks: Fantastical Feminist Stories about Witches on Bikes' (ed. Elly Blue); 'Free to be Me: An LGBTQ+ journal of love, pride and finding your inner rainbow'; 'All the things she said: everything I know about modern lesbian and bi culture' (Daisy Jones); 'I will not be erased: our stories about growing upas people of colour' (gal-dem)

The good

Cherry blossom. Mozart. Seeing a book with one of my stories in on a real shelf in a real bookshop. The fact that I do not have to deal with any of the difficult stuff on my own.

The mixed

Chaired a meeting yesterday. It seemed to go OK – at least, other people keep telling me so – but I am feeling very flattened.

The difficult and perplexing

This has really not been a good week in terms of physical and mental health. I’ve been feeling gloomy and depressed, lonely, and tired. On Friday night I tripped over a paving stone (I assume) on the Euston Road and scraped my left knee and twisted my right ankle, both very painfully, and had the usual crowd of concerned bystanders asking ‘Are you all right?’ one after another when I wasn’t at all sure and none of them had anything actually constructive to offer. And of course when one is pregnant there is a whole load of worry about potentially having hurt the baby on top of the consciousness that I’m going to be a dreadful liability when I’m a little old lady. (Baby is flailing around happily, so far as I can tell.) Today I was tired and headachey.

What’s working

Remembering to pump up my bicycle tyres. I also wrote down all the projects I theoretically have on hand, from the review of Ely Cursillo’s printed publications to clearing my father’s house to three novels and producing a baby. I’m not sure that I can say this worked, as such, as very few of them are much forrarder as a result, but it did put it all into perspective and made me feel better about the fact that they aren’t all done yesterday. I genuinely do have an awful lot going on.

Reading

Got caught up on Wildfire at Midnight. Started Bad To The Bone (James Waddington). Gave up on several articles because they were just too depressing (this says more about me than it does about them). Today I read The Murder of Roger Ackroyd.

Writing

A little bit on Starcrossers.

Watching

I finished Our Flag Means Death; it is good fun.

Listening to

Ely Choral Society singing the Mozart Requiem and Haydn’s Salve Regina. (The latter was a little awkward because nobody in the audience seemed to have heard it before, and we didn’t know when to clap. But I very much enjoyed the concert overall.)

More Maintenance Phase, mostly for company on lone WFH days.

Cooking

Chicken drumsticks glazed with honey/mustard/curry powder.

Eating

Friday was going to be a takeaway night even before I did my lower limbs in; I had some very nice fried sea bass in a lemon/chilli/cashew nut sauce from one of the two Thai places.

This afternoon I walked into town to go to a shop which turned out not to be open on Sundays; so I made up for it with a cornet of cassata siciliana (candied fruits) from the gelato shop instead.

Noticing

The cherries are doing their thing (well, it is still Eastertide, so they are only a little late). I keep seeing goldfinches.

In the garden

Things are blooming away with very little help from me. This includes a load of dandelions, but at least they’re cheerful.

Appreciating

The people who do things. I am not, after all, making all of this – any of this – happen by myself.

Acquisitions

I have a new mouthguard to keep me from grinding my teeth in my sleep. I also get a very accurate model of my lower teeth. I am not entirely sure what to do with this, but it’s quite impressive, particularly since it was created by the dentist waving a camera round my mouth. For the moment I’ve put it in the bathroom cabinet, from which it will no doubt fall and scare me at the worst possible moment.

When I went to pick it up I popped into Gay’s The Word, and came away with Tales of the City and Illness as Metaphor.

Hankering

I have reached a state of dissatisfaction with most of my shoes (this before I fell over, too) but don’t really know what I want to replace any of them with.

Line of the week

From this article from The Road Book:

If you didn’t see it, well, after 267km of a typical Amstel route – apparently based on the trajectory of a very angry fly trapped against a small window – the final was clearly boiling down to a sprint between Julian Alaphilippe and Jakob Fuglsang.

Sunday snippet

I’m enjoying the chance to let Starcrossers have some breathing space, and to put in some backstory and worldbuilding that there just wasn’t space for when it was going to be a short story. Though I’m not sure yet which of those this bit’s going to be:

Alone in my quarters, I let myself think of the one who could no longer be named. This was an infringement in itself. I ought to have forgotten her already. That, I’d been told as a child, would ease the pain. It was the only way.

This coming week

A lot of dashing around, mostly family-related. And then (whisper it) absolutely nothing over the bank holiday weekend.

Anything you’d like to share from this week? Any hopes for next week? Share them here!

Week-end: Pride and preliminaries

Bouquet of flowers in shades of pink, blue, mauve, and pale green, against a red wall

I’ve been wanting to post more on this blog, and also wanting to record more of what I’ve been up to and what I’ve enjoyed. So this is the first of what I hope will be an ongoing series of weekly… check-ins? reports? I like neither of those terms. But I know what I want to do, even if I can’t describe it. So I’m just going to start doing it. Expect varying length, disparate headings (stolen from various people across the internet), and weeks where nothing happens at all.

The good

Ely Pride. This started last night with a talk at the cathedral from Rev Dr Charlie Bell. I am not sure that I can convey how very good it is to have one’s church say in so many words that LGBT+ people are welcome, so you’ll just have to take it on trust. The main event was today, and it was joyous.

Gorgeous flowers from my in-laws, extending my birthday a little further.

The mixed

Sad to see a great colleague go, but her leaving do was brilliant. A couple of ex-colleagues turned up, too: good to see them again.

The difficult and perplexing

A load of internalised biphobia (this has been going on for a while, and nearly stopped me going to Pride today; I’m glad it didn’t succeed). And a stubbed toe. And an hour of (unfounded) family panic.

Noticing

Dragonflies whizzing around the green spaces. Sunflowers in the allotments (you can see the Royston ones from the train). Starlings.

Reading

Wanderlust: a history of walking, Rebecca Solnit. This was one of the two books I got from the Book Bus. (I am, this year, a model of restraint.) I’m enjoying this: Solnit talks about walking as a political act as much as anything else, and she talks about all sorts of walking. Some things I did know already and a lot that I didn’t.

Rough Music, Patrick Gale. My mother’s been recommending this author to me for ages, largely on account of the Isle of Wight connection, but I finally got around to reading him in this book from the sale at Ely library, and it’s mostly set in Cornwall. Very readable; one of those dual timeline narratives. A potential entry for The Reader’s Gazetteer – B for Barrowcester. Reading the notes at the end, it’s based on Winchester. I didn’t pick that up at all despite having been born in Winchester, but then I’m usually there to look at buses.

Husband Material, Alexis Hall. Well, this was where my Tuesday evening went. I lounged on the sofa, chuckling away. Delightful. It felt a little strange, because it felt very, very familiar. Hardly surprising: when I was writing The Real World I spent quite a lot of time wondering if after all Richard Curtis hadn’t said it all better in Four Weddings and a Funeral, and Husband Material is very much riffing on that seminal romcom. Anyway, it is refreshing to see something else that really digs into the question of marriage. Even if it did get me thinking that it is as well that Issues in Human Sexuality has nothing to say about lemon sorbet. (There’s one other person in the world who’ll find that funny. Oh well.)

Making

Patchwork. Secret project.

Cooking

Pickled plums. And an improvised sort of pie made of plums and very old filo pastry from the freezer. The rest of the plums got frozen, though I should probably go and see what else I can harvest before the wasps get it.

Writing

A post for the Ely Cursillo site.

Looking at

Summer Open Exhibition at Babylon Arts. This was fascinating for the sheer range of artists and styles on show, and my reactions to them. I like bright textiles but not bright acrylics. I like moody pastels of Fenland skies. I dislike the self-consciously quirky except where it was made of steel. I am fascinated by the intricate. I am predisposed to like linocuts. It takes a lot to impress me with a photograph. I did know that @smolrobots is based somewhere in the vicinity, but I’d forgotten. And so on. Eavesdropping on other people’s reactions was also fun.

Listening to

I’ve been to Evensong three times this week (another of those things that I could do far more often than in fact I ever do). There’s been a visiting choir, and they really got into their stride today. Jackson in G (used to sing it at Guildford, but haven’t done it for years) and then something called Song to bring us home by Tamsin Jones.

Drinking

Sidecars. Or, as they somehow ended up getting called, Sidehorses. Don’t ask, or, at least, don’t ask me. I also had a strawberry slushie today, the first in a very, very long time.

Line of the week

This is from the Rebecca Solnit:

Imagine it doing seventy on the interstate, passing mesas and crumbling adobes and cattle and maybe some billboards for fake Indian trading posts, Dairy Queens and cheap motels, an eight-cylinder Sistine Chapel turned inside out and speeding toward a stark horizon under changing skies.

This coming week

More patchwork more patchwork more patchwork.

#indiechallenge – First Time Ever (Peggy Seeger)

DSCF8407

The blurb

Born in New York City in 1935, Peggy Seeger enjoyed a childhood steeped in music and politics. Her father was the noted musicologist Charles Seeger; her mother, the modernist composer Ruth Crawford; and her brother Pete, the celebrated writer of protest songs.

After studying at Radcliffe College, in 1955 Peggy left to travel the world. It was in England that she met the man, some two decades older and with a wife and family, with whom she would share the next thirty-three years: the actor, playwright and songwriter Ewan MacColl. Together, Peggy and Ewan helped lay the foundations of the British folk revival, through the formative – and controversial – Critics Group and the landmark BBC Radio Ballads programmes. And as Ewan’s muse, Peggy inspired one of the twentieth century’s greatest love songs, ‘The First Time Ever I Saw Your Face’.

Peggy’s life comprises art and passion, family and separation, tragedy, celebration and the unexpected – and irresistible – force of love. It would by any standards be an extraordinary story, but what elevates her account is the beauty of the writing: it is clear-eyed and playful, luminous and melodic, fearless, funny and always truthful, from the first word to the last.

The publisher

Faber & Faber calls itself ‘one of the world’s great publishing houses’. It was founded in London 90 years ago. I’d associated it more with the highbrow end of the market and with poetry, but it also does things like the QI tie-in gift books.

How I got this book

Around my way, there’s a tradition of leaving unwanted items outside one’s front gate in case someone else likes the look of it and takes it away. I liked the look of this and took it away.

The bingo card

This could count towards: ‘An author from another country’; possibly ‘Biography’, though Seeger in fact recommends someone else’s biography of her to be read alongside this to fill in the gaps; ‘A press over 20 years old’; ‘Non-fiction’, and, despite the blurb’s strenuous attempt to ignore the fact, ‘LGBTQIA’.

My thoughts

I think Peggy Seeger is great. I saw her perform at Cambridge Folk Festival a few years ago, and when I asked her to sign one of her CDs she complimented my hat. So there. Anyway, she’s a member of a great musical dynasty and she’s a great musical figure in her own right. In this book she looks back on a long life, with a complete absence of self-pity and an honesty that sometimes made me wince. There was much that resonated, including the thoughts on class, and the impulse to hope that keeps you writing in the face of looming political despair. It’s fascinating as history and as a reflection on the art of performing music and, most of all, as a portrait of the development of a person.

A metrical version of the Magnificat, to an appropriate tune for the day

My soul proclaims God’s mighty glory
and my spirit shall rejoice
in God who saves me and exalts me,
who makes the poor his choice.
God’s bounteous blessings fall upon me
from now and through all years:
the mighty one has raised me upward:
God is holy, and God hears!

So take comfort, who suffer; this good news is for you:
Your trials will be changed to triumphs, and you will receive your due;
So take comfort, who suffer, and claim your rightful place:
God loves you, and has chosen you, of all the human race.

God stands with those deprived of power,
and God’s power will win the day;
He gives the hungry food in plenty
and he sends the rich away.
He empties thrones, and lifts the humble,
brings confusion to the proud;
He remembers those who are downtrodden,
and has saved us, as he vowed:

So take comfort, who suffer; this good news is for you:
Your trials will be changed to triumphs, and you will receive your due;
So take comfort, who suffer, and claim your rightful place:
God loves you, and has chosen you, of all the human race.

 

 

After Luke 1 46-55, obviously. You’re welcome to use this in church if you think you can get away with it.

Happy May Day, everyone!

hear the prayer we offer (and the one we don’t)

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I have a rather tiresome cough at the moment, which has made singing in the church choir… interesting. On Sunday I’d got to the point where the singing was mostly OK, but I was paying for it in the spoken bits. I don’t understand the physiology enough to explain why I could force my way through the Gloria (sung) but was having to miss whole chunks of the Creed (said) in order to cough.

Anyway, I suspect nobody in the congregation actually noticed, particularly over the sound of the rain, but I was aware that it must have sounded rather as if I was having theological objections to some of the least controversial bits of the Creed. I coughed through ‘and was buried’, for example, but managed ‘and the Son’, ‘the holy, catholic and apostolic Church’, and ‘the communion of saints’ with no problems at all.

That reminded me of someone I knew at a previous church who refused to say the line about ‘the resurrection of the body’, because she didn’t believe in it, which then reminded me of a story the rector of that church told about a couple whose thoughts about Firmly I believe and truly used to be very audible, because they just stopped singing when they got to a bit they didn’t believe in.

Personally I can do most of Firmly I believe and truly, though I do mentally cross my fingers when I get to ‘and her teachings as his own’.

There are plenty of reasons to dislike a hymn beside theological or moral objections. Clumsy use of language. A melody line that goes too high or too low (I cannot tell manages to be both, for a lot of people), or is simply banal. (Brother, sister, let me serve you, I’m looking at you.)

There are various different ways to deal with the discovery that a hymn you really dislike is coming up next. You could walk out (though you probably won’t). You could sing the bits you agree with and keep your mouth shut for the bits you don’t. You could spend the whole thing looking for cash for the collection. You could rewrite the words on the fly. I’ve used all those tactics except the first one on the second verse of In Christ Alone.

I try to avoid altogether any kind of service where there’s a danger of I vow to thee, my country. I refuse to offer my country ‘the love that asks no question’: that kind of idolatry is how we end up with the mess we’re in now. And Thaxted is a tune that wasn’t written for the human voice, and it shows.

So far, so uncontroversial. Or, I suppose, so predictably controversial. But my own particular peeve is a hymn that’s sung a lot in ordinary Church of England parish churches, particularly during Lent. Father, hear the prayer we offer.

It’s the first verse that annoys me: Not for ease that prayer shall be/But for strength…

The subtext of this hymn is: I could cope with this, if only you would make me stronger. I don’t know much about the life of Love Maria Willis, the writer: it’s quite possible that it wasn’t easy; that she had to put up with a lot and not complain about it. But this – like I vow to thee, my country, in fact – is mixing up the human values of a bygone century with the values of the kingdom of heaven.

I want to ask: what’s wrong with praying for ease? What’s wrong with praying for things to be easier? That prayer may not be answered, but that doesn’t mean it’s not a worthy prayer.

The assumption that there is something wrong with it drives me up the wall. I think it’s picky and prideful; it’s that old human fault of telling God how to fix things.

What would happen if, rather than assuming that we aren’t strong enough, we entertained the possibility that actually, this situation is intolerable?

I know.

But we worship one whose strength was made perfect in weakness, whose yoke is easy and whose burden is light. God does not tell us to put up and shut up, but Come unto me, ye that are weary and heavy laden, and I will give you rest. Our insistence on our own strength is risible in the face of that almighty understanding.

No, give me the steep and rugged pathways and the green pastures. To be fair, the rest of the hymn does; it’s just the first verse that I object to.

Fortunately, it’s easily fixed:

Father, hear the prayer we offer:
Both for ease that prayer shall be,
And for strength that we may ever
Live our lives rejoicingly.

Upstaged! anthology out today

Prima Donna

I’m very pleased to say that Upstaged!: an anthology of women who love women in performing arts is available now, and that it contains my story Prima Donna. It’s a delightful selection of short stories published by Supposed Crimes, who specialise in F/F fiction across a variety of genres.

The ‘performing arts’ in question are many and varied – my story is (of course) about opera, while others feature panto, silent film, burlesque, plays and musicals.

The genres are many and varied, too. We have steampunk, sci-fi, romance, slice-of-life, and straight (or not-so-straight) historical. Settings range from the 1830s to the far future, from Broadway to New Helsinki. Not all the stories will be to everyone’s taste – that’s the nature of such a diverse collection – but all the same I think there is something in there for everyone.

There’s an interview with me about the inspiration for Prima Donna and about my future projects over at the publishers’ site today.

As for the book itself, here it is at Amazon.com…

… at Amazon.co.uk…

… at Kobo…

… at Smashwords…

… at Barnes & Noble

UPSTAGED cover-2