The Reader’s Gazetteer: K

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K is a much easier letter than J. People might get stuck on the th or the ee in my name (in any sensible language that would be an i or an í) but they always get the k right.

I wanted to say something about place names beginning with K having a sense of exoticism that proclaims to us that we’re abroad without subjecting us to the embarrassment of not knowing how to pronounce them. Then I remembered that I grew up between Knighton and Kingsland, with Kington not that far away. And indeed, there are some fictional British places beginning with K: Thomas Hardy has Kennetbridge (it’s about an hour from London Paddington) and Kingsbere (take the train from Waterloo and then the bus from Casterbridge) and Knollsea (train to Anglebury, and then there’s a bus).*

I suppose I must have been thinking of Sophy of Kravonia. It feels wrong to deal with that one before The Prisoner of Zenda, but hey, that’s the way the alphabet works. Kravonia also doesn’t quite meet my requirements in that I still have only the haziest idea of where it actually is:

Kravonia was a rich country, and its geographical position was important. The history of the world seems to show that the standard of civilization and morality demanded of a country depends largely on its richness and the importance of its geographical position.

The neighbour on the west had plenty of mountains, but wanted some fertile plains. The neighbour on the east had fertile plains adjacent to the Kravonian frontier, and would like to hold the mountain line as a protection to them. A far-seeing statesman would have discerned how important correct behavior was to the interests of Kravonia! The great neighbours began to move in the matter, but they moved slowly. They had to see that their own keen sense of morality was not opposed to the keen sense of morality of other great nations. The right to feel specially outraged is a matter for diplomatic negotiations, often, no doubt, of great delicacy.

The publication date of 1906 might provide a clue, but then again it might not. Any ideas?

I’ll look at the careful placing of Ruritania, Strelsau and Zenda later in the series. In the meantime, I do rather get the sense that Anthony Hope had been asked for another Zenda and was phoning it in. Or sending himself up. (Sophy, the Rudolf Rassendyll analogue, is a kitchen maid from Essex with a flair for languages, which I suppose makes her exactly as qualified to run a country as an idle younger son of the aristocracy. The prince is interested in one thing, and that one thing is big guns.) Never mind.

We return to The House of the Four Winds to visit Kremisch and Krovolin. Kremisch is just this side of the border from Evallonia – which border isn’t specified, since John Buchan has gone to quite a lot of trouble to get us there without knowing, or really caring, where exactly we are. And, like many places in Buchan’s oeuvre, it has a really, really good pub:

The inn at Kremisch, the Stag with the Two Heads, has an upper room so bowed with age that it leans drunkenly over the village street. It is a bare place, which must be chilly in winter, for the old casement has many chinks in it, and the china stove does not look efficient, and the rough beechen table, marked by many beer mugs, and the seats of beechwood and hide are scarcely luxurious. But on this summer night to one who had been tramping all day on roads deep in white dust under a merciless sun it seemed a haven of ease. Jaikie had eaten an admirable supper on a corner of the table, a supper of cold ham, an omelet, hot toasted rye-cakes and a seductive cheese. He had drunk wine tapped from a barrel and cold as water from a mountain spring, and had concluded with coffee and cream in a blue cup as large as a basin. Now he could light his pipe and watch the green dusk deepen behind the onion spire of the village church.

Krovolin is the monarchist headquarters in Evallonia, and a good distance from the border:

The great forest of St Sylvester lies like a fur over the patch of country through which the little river Silf -the Amnis Silvestris of the Romans – winds to the Rave. At the eastern end, near the Silf’s junction with the main river, stands the considerable town of Krovolin; south of it stretch downs studded with the ugly headgear of oil wells; and west is the containing wall of the mountains. It is pierced by one grand highway, and seamed with lesser roads, many of them only grassy alleys among the beeches.

We spend quite a lot of the book getting there, and then get a somewhat fragmentary picture of the town, fitted in around the action:

The cars turned along the edge of the water over vile cobbles, and presently wove their way into a maze of ancient squalor. This was the Krovolin of the Middle Ages, narrow lanes with high houses on both sides, the tops of which bent forward to leave only a slender ribbon of sky.

There’s a Street of the White Peacock, and a hotel called the Three Kings of the East. Which, by the way, has a ‘pleasant restaurant’, but there’s no word on the menu. Maybe one would do better to stay in Kremisch after all. On the other hand, we haven’t got to Tarta yet…

Books mentioned in this post

The House of the Four Winds, John Buchan

Jude the Obscure, Thomas Hardy

Tess of the D’Urbervilles, Thomas Hardy

The Hand of Ethelberta, Thomas Hardy

Sophy of Kravonia, Anthony Hope

*I should say that I’m relying on the Wikipedia page for Thomas Hardy’s Wessex and Traveline for this guidance. The author of this blog takes no responsibility etc etc. Besides, do you really want to end up in a Hardy novel?

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Engaging with the tradition

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A few weeks ago I was having a conversation with a friend about what I was writing and what he’d been watching. I’m writing the sequel to Speak Its Name, which in its current state is mostly about vocations and relationships and what they do to each other. He’d been watching Fleabag, and thought that it had quite a lot to say to what I was doing, and had I seen it?

I said that I hardly watch any TV at all, because I lack the staying power. I can keep up with something for one or two episodes, but then life gets in the way and I get behind. (So I mostly watch Doctor Who, where you can dip in and out and it makes just as much sense as if you had managed to see last week’s episode.) So no, I hadn’t seen Fleabag.

But it’s a very good point. Whatever you’re writing about, whatever genre you’re writing in, someone will have been there first. (And if you don’t engage with that tradition, then there’s a very real danger of making yourself look like an utter plonker. See: Ian McEwan and sci-fi.)

Speak Its Name and whatever-the-sequel’s-going-to-be-called sit not quite comfortably within the Barchester genre. And that is a tradition that I’ve been engaging with ever since I wrote my undergraduate dissertation (Fit Persons To Serve In The Sacred Ministry of Thy Church: representations of Anglican clergy 1855-65) if not before (my mother, seeing me with a copy of Glittering Images shortly before my A-level exams, prudently removed it from me). Most recently, of course, there’s been Catherine Fox‘s Lindchester. Sometimes I think I’m engaged not so much in a dialogue with Lindchester as in a stand-up screaming match, while at the same time finding it intensely familiar and moving. So maybe I’ll get round to watching Fleabag, or more probably I won’t, but I think I’ve probably done enough homework there.

A Spoke in the Wheel is slightly different. Not so much in terms of genre – I suppose it’s somewhere between a romance and a social problem novel – but in terms of subject matter. I read loads of cycling books, but they were all non-fiction. Most of them were memoirs.

There isn’t really a tradition, you see. Elsewhere (and elsewhen – almost a decade ago, in fact) on the Internet, William Fotheringham has a list of the top ten cycling novels. They’re a mixed bag, and the diversity of genres represented suggests that he had to scratch around quite a lot to find any ten, let alone a top ten.

If I were feeling inspired I’d try matching the titles to the various roles within a team (sprinter, GC contender, domestique, grimpeur, rouleur, etc), but I’m feeling a bit too tired for that. And I’ve only attempted three of them in recent years. (I’m sure I must have had The Adventure of the Priory School read to me when I was a child, but it hasn’t stuck.)

  • Cat ought to be the sort of thing I’d love, but every time I’ve tried it I’ve foundered on the extended passages in italic type.
  • Three Men on the Bummel is not quite as good as Three Men in a Boat, and contains quite a lot of tedious national stereotyping.
  • The Rider was the one I saved for after I’d finished writing A Spoke In The Wheel, because when something’s been sold as ‘the best cycling novel of all time’, it’s a bit intimidating when you’re just trying to write a decent one.

And I’ve now downloaded The Wheels of Chance (thank you, Project Gutenberg).

Actually, the one cycling book I’m really glad I didn’t read before starting ASITW is Fotheringham‘s own Put Me Back On My Bike. I just don’t think I’d have had the nerve to write about fictional doping with that magnificent and uncomfortably vivid account of the tragedy of Tom Simpson always in the back of my mind.

 

* Having said that, I’ve now watched all of Good Omens, so it turns out that I’m perfectly capable of watching television when somebody else organises it and when it’s a day that I didn’t have earmarked for writing. I’m still two episodes behind on Gentleman Jack, though, and it’ll be three if I don’t get my act together this weekend.

#indiechallenge – First Time Ever (Peggy Seeger)

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The blurb

Born in New York City in 1935, Peggy Seeger enjoyed a childhood steeped in music and politics. Her father was the noted musicologist Charles Seeger; her mother, the modernist composer Ruth Crawford; and her brother Pete, the celebrated writer of protest songs.

After studying at Radcliffe College, in 1955 Peggy left to travel the world. It was in England that she met the man, some two decades older and with a wife and family, with whom she would share the next thirty-three years: the actor, playwright and songwriter Ewan MacColl. Together, Peggy and Ewan helped lay the foundations of the British folk revival, through the formative – and controversial – Critics Group and the landmark BBC Radio Ballads programmes. And as Ewan’s muse, Peggy inspired one of the twentieth century’s greatest love songs, ‘The First Time Ever I Saw Your Face’.

Peggy’s life comprises art and passion, family and separation, tragedy, celebration and the unexpected – and irresistible – force of love. It would by any standards be an extraordinary story, but what elevates her account is the beauty of the writing: it is clear-eyed and playful, luminous and melodic, fearless, funny and always truthful, from the first word to the last.

The publisher

Faber & Faber calls itself ‘one of the world’s great publishing houses’. It was founded in London 90 years ago. I’d associated it more with the highbrow end of the market and with poetry, but it also does things like the QI tie-in gift books.

How I got this book

Around my way, there’s a tradition of leaving unwanted items outside one’s front gate in case someone else likes the look of it and takes it away. I liked the look of this and took it away.

The bingo card

This could count towards: ‘An author from another country’; possibly ‘Biography’, though Seeger in fact recommends someone else’s biography of her to be read alongside this to fill in the gaps; ‘A press over 20 years old’; ‘Non-fiction’, and, despite the blurb’s strenuous attempt to ignore the fact, ‘LGBTQIA’.

My thoughts

I think Peggy Seeger is great. I saw her perform at Cambridge Folk Festival a few years ago, and when I asked her to sign one of her CDs she complimented my hat. So there. Anyway, she’s a member of a great musical dynasty and she’s a great musical figure in her own right. In this book she looks back on a long life, with a complete absence of self-pity and an honesty that sometimes made me wince. There was much that resonated, including the thoughts on class, and the impulse to hope that keeps you writing in the face of looming political despair. It’s fascinating as history and as a reflection on the art of performing music and, most of all, as a portrait of the development of a person.

50,000 words: getting past the stuck bit

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There comes a point with every novel I write where I’m convinced that I should just give up on this one. And guess where I am now?

This time I’m dealing with it by:

  • reminding myself that this always happens;
  • reminding myself that I’m doing better than I did with the first one, which I went so far as to give up on at least three times;
  • setting myself wacky challenges (The Song of Songs mentions 21 types of plants and 15 species of animals. See how many you can include.)
  • printing the whole lot off and scribbling on it.

This last has been by far the most effective. I’ve added a few lines, and I’ve improved some existing ones. More importantly, I’ve been able to see where the gaps are, and I have a reasonable idea of what I need to write next, and a better idea of what the overall structure needs to be.

The next sticking place after this one, if I remember correctly, is the one where I become convinced that all my friends will read it and hate me. Which will mean it’s nearly done.

#indiechallenge – Smash All The Windows (Jane Davis)

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The blurb

For the families of the victims of the St Botolph and Old Billingsgate disaster, the undoing of a miscarriage of justice should be a cause for rejoicing. For more than thirteen years, the search for truth has eaten up everything. Marriages, families, health, careers and finances.

Finally, the coroner has ruled that the crowd did not contribute to their own deaths. Finally, now that lies have been unravelled and hypocrisies exposed, they can all get back to their lives.

If only it were that simple.

The author and publisher

Jane Davis is the author of eight novels; her first novel won the Daily Mail First Novel Award; her seventh was Writing Magazine’s Self-Published Book of the Year 2016; and Smash All The Windows won the first ever Selfies Award.

She’s someone who takes writing and self-publishing very seriously, and it was an absolute pleasure to meet her at the London Book Fair earlier this year.

The bookshop

I bought the ebook version from the Kobo store.

The bingo card

This could count towards: ‘A Women’s Press’; ‘A New To You Press’; ‘An Award-Winner’, or ‘Book from a micro press’.

My thoughts

This is a really good book. It takes as its starting point an imagined crush disaster in a London tube station, and follows the families of the victims as they variously seek the facts, campaign for justice, and come to terms with their loss. Sometimes diving deep into the day of the disaster, sometimes looking several years beyond it, the interweaving strands are easy to follow, and the characters are well delineated and all very human.

There were times when I forgot that I was reading fiction, and found myself wanting to go to Wikipedia to find out more about the disaster. Jane Davis says that she thinks of fiction as ‘made-up truth’. She’s certainly achieved that here.

Form

My love is older than the rocks:
I planted it when life was young
and watched it bloom with new delight
where a new, hopeful, stream had sprung.
I kept it close through seismic shocks:
betrayal; anger; pain; relief;
then sent it whirling into flight
to take its chance with joy or grief.
Now you can hold it in your hand,
washed clean, worn smooth, by time and tears.
An age of time, a flash of art
brought it to you from dust and sand.
It’s grounded by the weight of years
and rests contented in your heart.

 

*

This is another one written for a Lioness Challenge. There’s something about Elise’s pieces that gets me experimenting with tight forms that I’d usually write off as ‘too much like hard work’ or ‘not for the likes of us’. But in this case, with dinosaur bones for inspiration, it had to be a hoary old form like a sonnet.

The Reader’s Gazetteer: J

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Well, I have to admit it: I’m stuck. I couldn’t think of a single fictional place beginning with J. Nor could my father, who has got enthusiastically into this excursion, as will be seen from his postcard.

And I think I can explain why they’re so difficult to find.

I’ve said before that the thing about fictional places is that you have to be able to believe in them. And it’s difficult to believe in a place if you’re not sure how you’re meant to pronounce it.

J – believe me, I know – is not an obvious letter. (The number of places in which I’ve been addressed tentatively as ‘Miss… er, Yo-veet?’…!) Is it the English dg sound? The French zh? The German y? Maybe even the Spanish hk? Or perhaps it’s more like Latin and you should treat it as another form of i. Well, you might be able to work it out from the location or the language, but you might equally well not, and it’s a bit distracting to spend the whole book wondering whether you’re pronouncing the site of the action correctly. I can see why authors don’t take the risk.

(In fairness, I should add that the ever-entertaining Smart Bitches, Trashy Books came up with a post that led me to a book set in somewhere called Jura, but I haven’t got round to following it up, so I don’t know whether it’s pronounced like the Hebridean island or the French mountain range or something else entirely.)

Next time: K. You know where you are with K. (Except in Swedish.)

Books mentioned in this post

The English Bride (Royal Bride), Joan Wolf

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A metrical version of the Magnificat, to an appropriate tune for the day

My soul proclaims God’s mighty glory
and my spirit shall rejoice
in God who saves me and exalts me,
who makes the poor his choice.
God’s bounteous blessings fall upon me
from now and through all years:
the mighty one has raised me upward:
God is holy, and God hears!

So take comfort, who suffer; this good news is for you:
Your trials will be changed to triumphs, and you will receive your due;
So take comfort, who suffer, and claim your rightful place:
God loves you, and has chosen you, of all the human race.

God stands with those deprived of power,
and God’s power will win the day;
He gives the hungry food in plenty
and he sends the rich away.
He empties thrones, and lifts the humble,
brings confusion to the proud;
He remembers those who are downtrodden,
and has saved us, as he vowed:

So take comfort, who suffer; this good news is for you:
Your trials will be changed to triumphs, and you will receive your due;
So take comfort, who suffer, and claim your rightful place:
God loves you, and has chosen you, of all the human race.

 

 

After Luke 1 46-55, obviously. You’re welcome to use this in church if you think you can get away with it.

Happy May Day, everyone!

Exeter Novel Prize

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It’s always good to have an excuse to go to Exeter – to stay with family, to catch up with friends, to see what’s changed since I was a student, and to take this shot of the west front of the cathedral, which was something that apparently I never managed to do in the three years I lived in the city.

And it was very good to attend the awards ceremony for the Exeter Novel Prize, and to read out the first page of A Spoke In The Wheel. As always, I was struck by how happy everybody – shortlisted authors, guests, judges, and audience – was to be there. We were all genuinely pleased to have got on the shortlist, and pleased for the overall winner, Rebecca Kelly, who unfortunately wasn’t able to be present to collect her trophy.

After that, of course, there was the gentle joy of a train journey back through the lush green contours of the West Country, with the setting sun striking the landscape in front of me and turning everything gold. I spent most of it staring out of the window.

I’m calling that ‘research’ for the next Stancester book’.

#indiechallenge – Independence Day & Other Stories (Pramoedya Ananta Toer, translated by Willem Samuels)

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The blurb

In these three warm and nuanced tales, Indonesia’s supreme storyteller Pramoedya Ananta Toer gives us vivid, memorable characters caught between optimism and a darker place.

A disabled veteran of his country’s war of independence against the Dutch slowly succumbs to despair; a child bride’s lost innocence is cherished by her observant younger neighbour; and a young boy views his impending circumcision with anxiety and excitement on account of its significance – and the gifts that will accompany it.

The author

Pramoedya Ananta Toer (1925-2006), one of Indonesia’s most important writers, was the author of more than thirty books – all of which were banned in Indonesia at various times. A resolute political activist, he was incarcerated by the Dutch colonial authorities and again by the Sukarno and Suharto regimes.

The translator

Willem Samuels is the pen name of John H. McGlynn. He is a long-term resident of Indonesia, having lived in Jakarta almost continuously since 1976. He has translated several dozen books, subtitled scores of Indonesian feature films and produced more than thirty documentary films on Indonesian writers.

The publisher

Paper + Ink produce miniature collections of short stories, many in translation.

How I got this book

This was a freebie from the London Book Fair.

The bingo card

This could count towards: ‘An author from another country’; ‘A new to you press’; ‘Translated book’; or ‘Marginalised people’.

My thoughts

A little book, and quick to read – I got through the first two stories on the tube back from Kensington, which wasn’t even delayed. But it punches above its weight: all three stories are powerful and atmospheric, and they all have a sting in the tail. Hypocrisy and inequity are exposed – but that’s as far as it goes. There aren’t any easy answers here.